At the Los Angeles Times, artists reflect on the enduring legacy of children’s book author and illustrator Eric Carle, whose spellbinding images and narratives captured readers’ imaginations for generations. “Carle’s ultimate gift was the idea of creation,” Daric Cottingham says, “the notion that every transformation in life is the invention of something new. When I grew older and became an uncle, I read The Very Hungry Caterpillar to my niece and nephew, who will continue to pass it on — sparking new generations of creation and change, a gift that won’t stop giving.”
Out this week: Forest Dark by Nicole Krauss; Katalin Street by Magda Szabó; Letters to Memory by Karen Tei Yamashita; Bluebird, Bluebird by Attica Locke; Affections by Rodrigo Hasbún; A Loving, Faithful Animal by Josephine Rowe; After the Flare by Deji Bryce Olukotun; and Little Fires Everywhere by Celeste Ng. For more on these and other new titles, go read our most recent book preview.
“Every journal is a confessional. If it’s in the first person, it cannot help but be. Unless the author of it lies to himself—and that makes it even more of a confessional. For some reason, travel brings out confessions one would never make at home. I am trying to draw the rake of my journal over the landscape. Perhaps I will uncover something.” Lawrence Ferlinghetti’s new collection of travel journals, Writing Across the Landscape, is out now. Travel on back to The Millions for Kate McCahill’s essay on traveling with books.
“This notion of investigation offers an alternative to confession. Its goal isn’t sympathy or forgiveness. Life is not personal. Life is evidence. It’s fodder for argument. To put the “I” to work this way invites a different intimacy—not voyeuristic communion but collaborative inquiry, author and reader facing the same questions from inside their inevitably messy lives.” Year in Reading alum Leslie Jamison writes for The Atlantic about alternatives to the confessional mode in literature.