At the Believer, Larissa Pham discusses her new book, Pop Song, with Adalena Kavanagh, and shares her hope that it resonates with Asian women who do not often see themselves in writing. ” I don’t know if I can center my Asianness in my writing any more than it already is,” Pham says, “which is to say, it’s part of every fiber that gets woven. It’s weird to think that my book will be coming out in a climate where, due to an awful, really awful incident of violence, people are looking at Asian women and thinking, yeah, we should probably care. I am wondering how my identity might play into how my book is received, particularly the sections that deal with this particular racialized trauma. My hope is that other Asian women might encounter it and it will contain some bit of truth that feels, if not completely relatable, if not completely comforting, something like a lighthouse spotting another lighthouse from far away.”
Courtesy of fake-news juggernaut The Onion, a new viral website honest about its purpose: “I think we see the ideal ClickHole reader as a hollow shell who exists purely to click on our content and then share that content with other hollow shells.” (Also: the same technique on headlines, applied to books.)
“When, like Alice Munro, you feel your way forward, sniffing and digging and groping toward a truth virtually beyond words, it takes a long time. And the structures, organic to that process, are as miraculous and indicative and expressive of that truth—one of the deeper truths of human life—that fiction is all about.” Elizabeth Poliner explains how mapping Alice Munro’s stories made her a better writer. Never read Munro? Check out our beginner’s guide to her stories.
Some writers find their voices by heading off to Europe. Others (like Thoreau in Walden) head off to the woods instead. At The Rumpus, David Biespiel writes about the year he moved to Vermont, and what it meant to see himself as “leaning into” his youth. Pair with our own Anne K. Yoder on Ken Kesey and the Oregon coast.