At the Oklahoman, Honorée Fanonne Jeffers discusses her collection of poetry, The Age of Phillis, which imagines the life of poet Phillis Wheatley, honoring her rich legacy and painting a picture of a vivid inner life. “Poetry can be real because you can imagine something,” Jeffers says,”but it’s based on reality…Nearly every woman that gives birth to a child loves that child. You don’t have to make that up, right? That’s the way it is; that’s the human story.”
“Do you know the philosopher Slavoj Žižek?” asks John Jeremiah Sullivan in his interview for the LA Review of Books. “He has this thing about love, the evil of love, and he says, I really don’t like love, because what love says is: I pick you out from everything, and I’m going to give you special attention, meaning that everything else is denigrated, and he says there’s something a little evil in that, and in the same way I think that there something a little philistine about lists.”
Shakespeare invented more than 1,000 words when he was writing, and now we might be able to find out how. Two New York booksellers believe they have found Shakespeare’s annotated dictionary, John Baret’s An Alvearie or Quadruple Dictionarie. Although scholars aren’t quite convinced, you can read the dictionary in full to decide for yourself.
Not only does China employ some two million censors to monitor microblogs and the internet, but the nation also has a formidable staff – both official and unofficial – to monitor literature and print publications. Indeed, reports Andrew Jacobs for The New York Times, “It is the editors at Chinese publishing houses themselves who often turn out to have the heaviest hands. ‘Self-censorship has become the most effective weapon,’ said the editor in chief of a prominent publishing house in Beijing … ‘If you let something slip through that catches the attention of a higher-up, it can be a career killer.’”