At the Guardian, Hanif Abdurraqib discusses his new essay collection, A Little Devil in America: Notes in Praise of Black Performance, a celebration of Black culture through the lens of artists like Josephine Baker, Beyoncé, Whitney Houston, and more. “People have an idea of what a writer is and how someone becomes a writer,” Abdurraqib says, “but you know, I was someone who struggled to not only understand the world but also struggled to fit into the world, and through those struggles often felt very on the outside. I used writing to get to the heart of why I felt that way. I do think that it is miraculous that I am here talking about something that I wrote because for so long writing was a way for me to survive, not in a financial sense, but to survive a world that I felt I was not made for.”
This week in news that’s almost impossible to believe: after an intense bidding war, the rights to David Grann’s upcoming book Killers of the Flower Moon were bought by Imperative Entertainment for a whopping five million dollars. All this for a nonfiction book that isn’t due out for well over a year. Killers of the Flower Moon tells the story of the investigation into the mysterious deaths of several Osage Indians in the 1920s, who were at the time some of the wealthiest people in the world. The case was one of the first ever worked by the FBI.
Of more than 23,000 front-page articles that appeared in The New York Times between 1939 and 1945, only 26 were about the Holocaust. Watch a powerful 18-minute mini-documentary about “how and why the genocide of Jews was neglected and euphemised by the Times, and by extension, the American people.” Pair with our piece about the German traditions of the Denkmahl and Mahnmahl, two different kinds of memorials with subtle, yet important distinctions.