At the Guardian, Hanif Abdurraqib discusses his new essay collection, A Little Devil in America: Notes in Praise of Black Performance, a celebration of Black culture through the lens of artists like Josephine Baker, Beyoncé, Whitney Houston, and more. “People have an idea of what a writer is and how someone becomes a writer,” Abdurraqib says, “but you know, I was someone who struggled to not only understand the world but also struggled to fit into the world, and through those struggles often felt very on the outside. I used writing to get to the heart of why I felt that way. I do think that it is miraculous that I am here talking about something that I wrote because for so long writing was a way for me to survive, not in a financial sense, but to survive a world that I felt I was not made for.”
Hanif Abdurraqib on Writing to Survive the World
“I see their politics as a response to a challenge they both face”
Page-Turner interviewed Dinaw Mengestu, who has a story in the latest issue of the New Yorker (paywall), and whose forthcoming book All Our Names was highlighted by yours truly in our Great Book Preview.
The Banal, Unexceptional Recovering
“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
The Art of Fiction No. 207: Jonathan Franzen
“I’ve never felt less self-consciously preoccupied with language than I did when I was writing Freedom.” Lorin Stein introduces The Paris Review’s new Winter issue, and includes excerpts from the Art of Fiction interview with Jonathan Franzen.
The Novel’s Topography
For at Blunderbuss Magazine, What Belongs to You author Garth Greenwell goes through his old notebooks and describes his creative process. Also check out Jameson Fitzpatrick’s review of the novel.
Reader’s Nostalgia
“Why do we spend so much time with stories whose endings we already know?” Derek Thompson writes about nostalgia and culture for The Atlantic, and his piece pairs well with Katy Waldman‘s Slate essay about “thinking that you’re not getting as much from reading as you used to.”
I’m Not Excited
The “Albums of Our Lives” series over at The Rumpus is a consistent source of entertaining essays. This week’s contribution, which focuses on Vampire Weekend’s Modern Vampires of the City, is no aberration.
To Booker or Not to Booker
Maybe you’re a speed-reader or maybe you’re a psychic who plans their reading lists months ahead of time. Those are the only two possible scenarios by which you may have finished reading all of the books on this year’s Man Booker Long List. And if that’s the case, it’s time to get started on The Guardian’s “Not The Booker” Long List.