At the Guardian, Kazuo Ishiguro discusses his newest book, Klara and the Sun, and how this latest offering echoes themes and ideas he has often explored in his previous work. “Literary novelists are slightly defensive about being repetitive,” Ishiguro says. “I think it is perfectly justified: you keep doing it until it comes closer and closer to what you want to say each time.”
“An appreciation of readers as diverse individuals with different tastes should be a basic tenet of criticism. Instead, it’s common for critics to imagine that their aesthetic preferences are the reflections of “readers” or a special class of readers—“serious readers,” “imaginative readers,” “brave readers,” or some other ill-defined category—whose views truly matter.” Lincoln Michel explains why “there’s no such thing as a fake reader” in an essay for Electric Literature.
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg’s Millions essay on Ugrešić’s legacy.
“We have documented cases of at least 47 writers and journalists currently imprisoned in China. The average sentence for a writer is eight years in prison, and some sentences are even harsher.” PEN American Writers send a letter to Xi Jinping, President of the People’s Republic of China, in response to his visit to the U.S. We have a few pieces about censorship to pair with it.
Looking up a book title on Google? The search results now include listings at your local library, reports The Digital Reader. See also our own Jacob Lambert’s entreaty, “An Open Letter to the Person Who Wiped Boogers on My Library Book.”