At NPR, Beverly Jenkins, known as the queen of of Black historical romance, discusses the importance of the genre reflecting the identities of those who read it. “There’s a lot more African and African American women, women of color, all identities, really, now writing romance,” Jenkins says. “And that’s one of the great things about the genre. It’s starting to reflect the country.”
Beverly Jenkins on the Importance of Black 19th Century Romance
The History of the Blurb
What if Petrarch had blurbed The Divine Comedy, or Shakespeare, “author of Tony Award-winning sensation Hamlet,” had reviewed Don Quixote? Tom Rachman imagines these blurbs and more for The Rumpus, and his piece pairs well with our brief history of the blurb.
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Pathological Point-Making
Recommended Reading: Vinson Cunningham at The New Yorker on what makes an essay “American.”
Ping-ping-ping
Back in July, Evan Allgood interviewed Alina Simone for The Millions. The writer and indie rocker talked about her new book and the phenomenon of “gilded turds” in the art world. Now, at Full-Stop, Jordan Kisner conducts his own interview with Simone, who tells him that “we’re in this age where every three seconds you’re getting pinged by some weird ‘ask’ that is almost like an invitation to a new life.”
Read Volt
The Barcelona Review has the text of the eponymous story from Alan Heathcock’s Volt for your reading pleasure. You might remember Heathcock’s work from last Decemeber, when Michael Schaub picked the “dark, beautiful short story collection” in his Year in Reading installment, and then gave it a glowing review for NPR.
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Janeites Unite
“‘This is a place where people can let their Jane Austen freak flag fly.'” Last weekend, the Jane Austen Society of North America held their annual meeting in New York, attracting fans from all over the country, including Cornel West and Anna Quindlen.
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