At The Daily Beast, journalist Katherine O’Donnell offers a tribute to Welsh historian, prolific author, and pioneering trans woman Jan Morris, who passed away on November 20. “Her Pax Britannica trilogy, a history of the British Empire, would alone cement a literary and academic reputation. I’m 55 and I’ve been reading her since I was a teen and I’m barely halfway through her canon and they may yet see me out. Despite sixty years of critical acclaim, Morris didn’t even think that Venice was her best work; that, she said, was her book Trieste and the Meaning of Nowhere.” In addition to her memoir Conundrum, Morris is best known for her books on travel; however, she was not a fan of the travel writer label. “As Virgil was to Dante, you can feel Morris’s hand on your elbow, her voice and her presence runs through all of her writing. She described her books as an extended form of memoir: ‘They are one and all about the effects of everything on me,’ she told an interviewer who had begun by asking her why she disliked the term travel writer. ‘My books amount to one enormously self-centered autobiographical exposure! So I prefer to be described as simply—a writer.’”
After winning The International Design Association’s 2012 Library Interior Design Competition, MS&R won funding to convert an abandoned Walmart in McAllen, Texas into a sprawling 124,500 square foot library. McAllen now home to the United States’ largest single-story library.
“Emily Brontë teaches us that fiction is not defined by what an author has done, but what an author has felt. To write is often to observe, not necessarily to experience. It is possible to be strong, independent, and still be at home; there is nothing limiting or weak about the ‘domestic’ life. Daily life is not to be avoided—in fact, it can be our most fruitful source of truth.” These and other helpful life lessons from the Brontë sisters over at The Daily Beast. How did the sisters even get their start as writers, anyway?
“Wallace’s fiction contains enormous cruelty… But it is also a deeply moral body of work. Its difficulties, and many of its cruelties, exist for specific reasons. Whether Wallace’s fraught projects are successes or failures is up to the individual, but these are judgments that all serious readers should want to make for themselves.” Chris Power considers David Foster Wallace‘s short stories in an essay for The Guardian and argues that after Infinite Jest they just might be the most important work he produced.