At Slate, Dan Kois talks to Maggie Smith and Patricia Lockwood about what happens when your poem goes viral online. “The strangest thing about having a viral poem,” says Lockwood, “is that you are framed in reference to it afterwards to a degree that feels ensmallifying. It feels a little like you’re placed into a box.” Smith, author of the poem “Good Bones” and the recently published Keep Moving: Notes on Loss, Creativity, and Change, says, “What I’ll always be known for is writing this poem about how bad things are, and maybe they could be better, but they’re bad. Every time my mentions tick up, I know to check the news because something bad has happened.”
Apropos of our popular “Open Letter to Kanye West,” may we recommend the “Shouts & Murmurs in this week’s New Yorker? “I have more than a million [Facebook] fans,” writes a certain unnamed narrator. “Do you know how many fans Books have? Twenty-five thousand seven hundred and sixty-four.”
The New York Times reports that actress Carrie Fisher‘s books have risen to the top of Amazon’s bestseller lists following news of her death. Fisher penned the memoirs Wishful Drinking, Shockaholic, and The Princess Diarist, which just came out last month, as well as several novels, including the book-made-movie Postcards from the Edge. Our own Lydia Kiesling included Postcards on a reading list for her short-lived celebrity book club a few years back.
Anthony Domestico interviews C. E. Morgan about her second novel, The Sport of Kings, one of the most anticipated books of 2016. As she puts it, “Every aspect of the novel is–or should be—an arrow pointed towards its ultimate meaning, or a multiplicity of possible meanings.”