At CRAFT, Leesa Cross-Smith discusses her story collection, So We Can Glow, her upcoming novel, This Close to Okay, and how she uncovers a story’s beginning. “I almost always start with some sort of visual of a tiny moment or a word or a line of dialogue. Sometimes it’s a fully formed character, but not as often. It can be someone touching someone else’s hand or the cuff of a sweater.” Cross-Smith has published flash fiction, short stories, and novels, and says the different formats allow her to revisit her characters. “I give myself room to circle back. That’s why so often I write flash fiction or a short story about a character and return to that same character later, because I’m not finished. And it’s not that I need to make the original story longer…but it’s because I want to meet them again…wherever they are…and listen.”
Granta has a new series in which authors explain how they arrived at successful opening sentences. In the latest installment, Colombian author Héctor Abad links the brain chemistry that inspired him to write his chosen sentence with the chemistry that inspired him to fall in love with his wife.
Rita J. King investigates the ways storytelling is being influenced by Twitter. Indeed, she writes that “every five days, a billion tiny stories are generated by people around the world … [and] the tweets are being archived by the Library of Congress as part of the organization’s mission to tell the story of America.”