At the LA Times, poet Robin Coste Lewis shares how she makes her students feel safe during uncertain times by providing refuge in art. “I’m trying to show them that this is in fact what most literature is about,” Lewis says. “Being a comfort to you at hard times. Even if it’s a comedic literature. Even if it’s absurdist literature. Even if it’s something that’s light and fluffy and pastel. All art, hopefully, if it’s good, will give comfort in the most trying of times.”
J.K. Rowling loves Robert F. Kennedy. She revealed on her website that she chose the pseudonym Robert Galbraith after Kennedy and her childhood alias, Ella Galbraith. “I can only hope all the real Robert Galbraiths out there will be as forgiving as the real Harry Potters have been. I must say, I don’t think their plight is quite as embarrassing,” she wrote.
Carl Wilson, author of Let’s Talk About Love: A Journey to the end of Taste (a book length study of Celine Dion‘s megablockbusting album of the same name), revisits the enduring and sort of nauseating classic from Titanic‘s soundtrack in The Atlantic.
“It makes you think you are just about to write, for once, something brilliant.” Everyone knows that Moleskines don’t really affect your writing, but they nevertheless represent a kind of literary standard. As we step into the future and doodling goes digital, will products like electronic writing tablets put the leather-bound versions out of business? Somewhere Hemingway is turning in his grave.
At Guernica Magazine, John Sevigny on Francisco Goya and the invention of modern art.