At the LA Times, poet Robin Coste Lewis shares how she makes her students feel safe during uncertain times by providing refuge in art. “I’m trying to show them that this is in fact what most literature is about,” Lewis says. “Being a comfort to you at hard times. Even if it’s a comedic literature. Even if it’s absurdist literature. Even if it’s something that’s light and fluffy and pastel. All art, hopefully, if it’s good, will give comfort in the most trying of times.”
Out this week: A House Without Windows by Nadia Hashimi; Divorce Is in the Air by Gonzalo Torné; The Gentleman by Forrest Leo; Addlands by Tom Bullough; and Liberty Street by Dianne Warren. For more on these and other new titles, go read our Great Second-Half Book Preview.
The Corrections might never make it to screen, but Jonathan Franzen’s New Yorker essay on songbird poaching, “Emptying the Skies” (behind the paywall), is already a documentary. The film follows a group of bird lovers trying to save the endangered animals and even includes an interview with Franzen. Although the documentary just found a distributor, there is no word on an official release date. Until then, here’s the trailer.
Tomorrow the Root is launching its short story fiction section, ‘It’s Lit’. If you are a black writer you have a chance to be featured as long as your story is less than 10,000 words. If your story is chosen to be featured you receive $200. Submit your short story here.
“Back in the 1800s, for instance, when white women began recording their family food traditions, they took credit for their slaves’ handiwork. ‘You owned Sally, you owned her recipe,’ Toni Tipton-Martin reflected on an episode of the podcast Gravy.” At Mother Jones, read about the secret history of black chefs in America.