For Elle, authors Kali Fajardo-Anstine and Mieko Kawakami interviewed each other with the help of translators, discussing their books Sabrina & Corina and Breast and Eggs, as well as the importance of finding your audience. “I have had the pleasure to meet Chicanas and mixed women from Toronto to L.A. who feel as though their reality is represented in my stories,” Fajardo-Anstine says. “They tell me beautiful things: ‘I’ve never seen my family name in a story before,’ or, ‘Your work encouraged me to ask my grandma about her life.’ Some readers from more privileged backgrounds, I’ve noticed, can find my stories unrelentingly sad, while readers from communities that have experienced historic trauma often find my stories hopeful, for they bear witness to our common experiences. There’s power in documentation, even if hard to look at.”
E. V. De Cleyre explores the right moment to end a nonfiction story. She writes that life rarely offers conclusions, and “dealing with actual occurrences often means there is no definitive end, and even if there were (such as a death), there comes the aftermath—the grief, the coping, the rebuilding.” Pair with Sonya Chung’s Millions essay on literary endings.
Peg Plunkett was an 18th-century Dublin courtesan who decided one day to make some money by publishing a series of memoirs. Now, over two hundred years after Plunkett sketched out her life story, Professor Julie Peakman has rewritten all three volumes for a modern audience. In a piece for The New Statesman, Sarah Dunant reviews her edition of Plunkett’s oeuvre.
Carolyn Kellogg rounded up a great list of “Terrible Beach Reads,” and it serves as a nice companion to Rachel Meier’s list of “Burnt-out Summer Reads.” However, if you’re looking for a few more titles that’ll keep you out of the water, allow me to suggest my all-time favorite shark-centric books: Susan Casey’s The Devil’s Teeth, Michael Capuzzo’s Close to Shore, and Doug Stanton’s In Harm’s Way.
“Every man or woman who is sane, every man or woman who has the feeling of being a person in the world, and for whom the world means something, every happy person, is in infinite debt to a woman.” What would today be without a bit of Mother’s Day-inspired Recommended Reading? Head over to Brain Pickings and learn why psychoanalyst Donald Winnicott believes that mothers are so vital.
“I move in a desultory society and often a week or two will roll by without my going to anybody’s house to dinner or anyone’s coming to mine, but when an occasion does arise, and I am summoned, something usually turns up (an hour or two in advance) to make all human intercourse seem vastly inappropriate.” In the new issue of The Atlantic Weekly (not to be confused with the Monthly), a reprint of a classic E.B. White essay.
Those who watch the book deal emails from Publishers Lunch know that Chad Harbach, an editor at n+1, recently sold his first novel, The Art of Fielding, but a Bloomberg article today reveals it went for an eye-popping $650,000. The book centers around baseball at a fictional Wisconsin college, and Bloomberg pegs the deal as “one of the highest prices for a man’s first novel on a topic appealing to a male audience.” Possible buried lede: n+1 compatriots Benjamin Kunkel and Keith Gessen saw their first novels sell 48,000 and 7,000 copies respectively, according to Neilsen BookScan.
Xzibit would have a field day with this one: an underground bookshop that sells underground books and zines.