At the Guardian, Elena Ferrante gave a rare interview to booksellers and translators and discussed her newest book, The Lying Life of Adults, as well as her acclaimed Neopolitan Novels. “Going away is important but not decisive,” she says. “Lenù goes away, Lila never abandons Naples, but they both develop, their lives are full of events. As I’ve said, I feel close to Elena’s choices. We don’t have to fear change, what is other shouldn’t frighten us. But staying doesn’t seem wrong to me; what’s essential is that our ‘I’ not be impoverished if we should confine ourselves to a space forever. I like people who are able to have bold adventures just going from one end to the other of the street where they were born. I imagined Lila like that.”
“The notebook is where our interior world makes contact with our exterior world; where our instinct for creation is first made material. Our notebooks are our first messy attempts at self-expression, and the ways in which we express ourselves are changing every day.” Sarah Gerard explores the life of the notebook in an essay for Hazlitt. Pair with our own Hannah Gersen‘s look at other methods writers use to keep their ideas straight, from calendars to collages.
Nineteen intrepid RapGenius users set out to break down the “cultural clusterf*ck and middle finger to the stripped-down simplicity of the Imagists” otherwise known as T. S. Eliot’s poem “The Wasteland.”
Oh, those poor little Twilight-addled tweens–as if they weren’t already goggly-eyed with quasi-chaste adoration of Edward Cullen, hero of Stephenie Meyer‘s Twilight books. How they will melt when they see this utterly shameless New Moon poster that portrays a melancholic Edward Cullen (Robert Pattinson) in a state of tasteful-ish dishabille.
Just when you thought I wouldn’t make you sad about Alan Rickman again, here he is starring in a film adaptation of one of Samuel Beckett’s short plays. In case you missed it last time, these recordings of Rickman reading from Shakespeare, Proust, and Thomas Hardy will surely generate some feelings.
Need some more Jeanette Winterson in your life? The New Statesman is here with a short story. Titled “Gnomon,” it centers on a medieval blacksmith, Stephen, who’s asked to create his town’s first mechanical clock. Sample quote: “Time is irregular. One hour is not the same length as another.”
Jesmyn Ward signed a deal for two books with Simon & Schuster: one adult novel with Scribner and the other a middle-grade novel with Caitlyn Dlouhy Books, according to Publisher’s Weekly. From our archives: Ward’s 2017 Year in Reading entry and our interview with the two-time National Book Award winner.