At the Guardian, Sam Jordinson reflects on the many moments of sexual tension found in Edith Wharton’s Pulitzer-winning novel, The Age of Innocence. “Every small moment takes on huge significance,” Jordinson writes. “Archer and May’s brief disagreements over whether or not windows should be left open somehow say more about the state of their relationship than any number of screaming rows might have done. There are all kinds of similar telepathies with flowers sent and not sent, envelopes left empty, parties attended and avoided. There’s also a blink-and-you’ll-miss-it ‘tremble’ in a library that changes the destiny of all the main characters in an instant. As a reader, the very act of decoding these messages immerses you ever deeper in the attitudes and customs of this strange world. It makes for a fascinating, engrossing experience.”
At The Nervous Breakdown, Micah McRary talks with Leslie Jamison about her use of POV, her new book of essays and whether her criticism might be dubbed “evasive biography.” You could also read our interview with Jamison or else read Ryan Teitman’s review of The Empathy Exams.
“Everywhere you turn, are you surrounded by fools, by boring nonentities, by faceless masses and foes and suckers and, indeed, jerks?” If so–as this insightful if somewhat confidence-shattering piece at Aeon suggests–the jerk may be you.
John Green, Tina Fey, and “a book-swapping/speed-dating cocktail hour”: BookExpo America has taken over Manhattan’s Javitz Center, and if you live anywhere near New York we think you might want to check out the public BookCon event this Saturday. We’re not saying you’ll meet the love of your life, but maybe you’ll win the Hunger Games trivia contest.
Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.
Dispatch From the Future and The Fallback Plan author Leigh Stein explains that she is writing her forthcoming memoir, Land of Enchantment, for “everyone who’s been to more funerals than weddings, everyone who lurks on the Internet late at night looking at pictures of their lost loves, everyone who cries when a certain song comes on the radio because they think it must be a sign.”
The new film by master indie director John Sayles, Amigo, will premiere in New York on August 10th as the opening night presentation of the Asian American International Film Festival. Tickets just went on sale here; Sayles will be appearing in-person for a Q&A. “Amigo” is Sayles’s 17th feature film and a kind of historical companion piece to his recently released epic novel, A Moment in the Sun, published by McSweeney’s.
You may have heard that the pioneering jazz musician Ornette Coleman died last week at the age of eighty-five. As a composer, he was known for his odd melodies, which reliably tested the boundaries of what jazz could accomplish. At The Paris Review Daily, two musicians and writers look back on his legacy.