At The New York Times, Alyssa Cole discusses her new book, When No One Is Watching, with Concepción de León, and the difference between writing romances and thrillers. “When I’m writing romance, I’m leaning more into the good,” Cole says. “In every romance you have to also make the reader feel bad sometimes, but you lean into certain beats that will make the reader feel happy, feel hopeful and excited. In this, it was fun to be able to lean into things that would make the reader feel anxious, because I was anxious in writing it. I could explore the kinds of things that can be done in the story when focusing on that slate of emotions as opposed to romantic emotions.”
Throughout the 80s and 90s journalists turned hip hop into a literary movement. Pitchfork dives into that time and explores their legacy and impact on journalism and other literary forms. “Eager to extend the outer boundaries of their creativity, many of these writers would go on to ink novels, memoirs, short stories, scripts, and poetry, much of which stayed true to the language and attitude of hip-hop, as though their words were drafted to the sound of a boom-bap beat. It all added up to a low-key literary movement that writer and activist Kevin Powell has dubbed, ‘The Word Movement.'” Includes a great reading list at the end.