On the latest episode of Jordan Kisner‘’s Thresholds Podcast on Lit Hub Radio, Ocean Vuong discusses the ideas surrounding language and creation that went into his most recent book, On Earth We’re Briefly Gorgeous. “So much of our culture is bent on fighting David and Goliath, wrestling the muse,” Vuong says. “We look at creation as a battleground. And I think it’s one of the greatest detriments to creativity is to see ourselves as participants in a war when it should be participants in creation.”
Ocean Vuong on Being a Participant in Creation
Consider the Chapter
“What does the chapter’s beginnings reveal about the way our books and stories are still put together?” Nicholas Dames answers with an essay in The New Yorker.
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Unhappy Birthday to White Noise
What’s with the Don DeLillo pile-on? The folks at Slate post a long audio conversation about White Noise, with one participant calling the novel “flagrantly bad.” I disagree…but then, I kind of liked Point Omega, too.
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As the Cock Crows
It’s that time of year again – our good friends at The Morning News are back with their annual epic, the Tournament of Books! Head over to TMN now to read round 1, which pits award season favorite Lincoln in the Bardo against Samantha Schweblin‘s Fever Dream (and read our own review of George Saunders‘s much-lauded novel here).
Inquiry and Imagination
At The Nervous Breakdown, Micah McRary talks with Leslie Jamison about her use of POV, her new book of essays and whether her criticism might be dubbed “evasive biography.” You could also read our interview with Jamison or else read Ryan Teitman’s review of The Empathy Exams.
It’s cool, he senses the danger of genius
John Jeremiah Sullivan spoke to the Guardian about writing, Pulphead, and “finding that island of legitimacy.” And then there’s his recent NYT Magazine piece on Venus and Serena Williams.
The Grind
It’s a source of hair-pulling anxiety for artists of all kinds: how can you hold down a day job yet commit yourself to your art? It’s undoubtedly possible, but it’s daunting enough that apprentice writers often need advice on how to do it. Herewith, six artists (including writers Catherine Lacey and Shane Jones) explain how they pull it off. Related: Cathy Day on making a living as a writer.
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Time Keeps On Slippin’
“What does it even mean to say that I am experiencing my life in a jumpy, random sort of manner? Each instant of my experience is the experience, whatever its temporal relation to other experiences. So long as the memories are consistent, what meaning can be attached to the claim that my life happens in a jumbled sequence?” Physicist Paul Davies on why you can’t remember your future.
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