At Lit Hub, Morgan Jerkins reflects on the importance of researching and telling her family’s story, as seen in her new book, Wandering in Strange Lands: A Daughter of the Great Migration Reclaims Her Roots. “The closer I moved towards my subjects and their homelands, the more intimate the book became,” Jerkins writes. “The more I researched, the more I knew what was at stake. I knew methodological data was not enough. To detail Black living and death, I needed a gumbo of tools: journals, articles, scholarly interviews, oral history, and personal history. I didn’t ignore the omissions—I exposed them. I confessed my frustration and I spoke of the foundation for these omissions. Then I kept going because I had to.”
“Here’s a challenge for you: find a book jacket that features an image of a woman over 40.” Despite being one of the biggest consumers of books, The Guardian writes about the lack of middle-aged women on book jackets. Pair with: an essay on the sexy-backed, faceless-woman book cover trend.
Bygone Bureau editor Jonathan Gourlay spent eleven years living on the microscopic island of Pohnpei, and fortunately for us he kept his wits about him long enough to churn out a “funny, haunting travel memoir” entitled Nowhere Slow. You can check out an excerpt from the eBook over here.
Elvis Costello is calling the hefty price tag on his new box set “either a misprint or a satire” and advising fans to buy a Louis Armstrong box set or to wait until the discs included in his own box set are availble at a cheaper price “assuming that you have not already obtained them by more unconventional means.”
“How had no one ever told me about (Othello‘s) Emilia, who, in only a couple of lines, brings down one of the most conniving, merciless villains in all of Western literature? How had no one told me about this fantastic female character who defies not one but two sword-wielding men in order to make sure Desdemona, her mistress and friend, receives justice? I wanted to rip up my diploma. I wanted to start over as a freshman and devote my entire undergraduate career to the Gospel of Emilia.” On Othello’s Emilia and her refusal to be silenced.