At the Guardian, David McNeill profiles author Mieko Kawakami, whose recently translated novel, Breasts and Eggs, has shaken the world of Japanese literature with its fresh viewpoint. “I try to write from the child’s perspective—how they see the world,” Kawakami says. “Coming to the realization that you’re alive is such a shock. One day, we’re thrown into life with no warning. And at some point, every one of us will die. It’s very hard to comprehend. We often talk about death being absolute, but I can’t help but think that being born is no less final.”
Mieko Kawakami on the Finality of Being Born
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How Yasmin Zaher Wrote the Year’s Best New York City Novel
"This is going to sound absurd, but in a novel, you can say the truth, and in journalism, you cannot."
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Things Got Weird: On the Early ‘90s Crack-Up
Ganz vividly renders the early 1990s’ shouty yet blankly confused alienations along with the endlessly gassy and vituperative “whither America?” debates.
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The Beguiling Crónicas of Hebe Uhart
'A Question of Belonging' is marked by an unerring belief that a good story can be found almost anywhere.
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