At BOMB Magazine, Leah Hampton discusses her debut collection, F*ckface: And Other Stories, which takes a closer look at lives in the modern-day American South. “My mother’s side is just like my dad’s—very working class, factory-floor socialist types,” Hampton says. “Everybody in my family always worked, and I’m the first person to finish college, write a book, etc. I often like to say I’m a bifurcated woman, half European in my thinking, half pissed-off mountain girl. Half in this Appalachian world, and half out. I think that’s a good vantage point from which to write fiction. Especially if you’re writing about a place that’s as bittersweet, complicated, and storied as this region.”
Here are a couple more pieces on Bill Keller’s departure as executive editor of The New York Times. An interview with Esquire conducted not long before his announcement: “Newspaper publishers have done more to kill newspapers than any innovative form of media.” And New York describes how Keller’s recent cranky columns about new vs. old media ticked off the newsroom.
“My process for writing is the same, regardless of form: I abandon my children, I become a horrible husband, and a half-assed teacher. That’s what it all has in common.” Adam Johnson interviewed for Tin House in conjunction with the release of his new collection of short stories, Fortune Smiles.
Friday would have been Ray Bradbury’s 94th birthday, which is why Dan Piepenbring, at The Paris Review Daily, looked back on one of Bradbury’s classic stories and picked out some choice quotes from his Art of Fiction interview. Piepenbring also pointed out that the story gets a mention in, among other places, The Brief Wondrous Life of Oscar Wao. You could supplement this by reading Tanjil Rashid on the author’s Middle East connection.