At the Cut, writers including Alexander Chee, Emma Straub, and Samantha Irby discuss how rejection has shaped their writing careers. Sigrid Nunez notes that it’s almost synonymous with the craft. “Rejection is an enormous part of a writer’s life,” she says. “It’s just the way it is. There are so many people out there wanting to show and sell their work. It’s easy to get lost and very difficult to get attention. As you would expect, I found it very discouraging, but I was also prepared for it because I knew writers. I knew what the life was like, and I knew that the only thing that you could do, if you really wanted to do this, if you really wanted this life, you had to accept that it came with a certain amount of rejection.”
Sigrid Nunez on Rejection and the Writer’s Life
French Fiction
Recommended recommendations: Nancy Kline surveys recently translated French novels for the New York Times Book Review. Pair with our own Bill Morris‘s piece in the Daily Beast on the 2014 Nobel Prize Winner Patrick Modiano and “Why American’s Don’t Read Foreign Fiction.”
It’s Late
Recent Pulitzer laureate Adam Johnson has a new short story in Esquire, and it’s a doozy, invoking drone strikes, Obama and Kurt Cobain in the course of its tightly-knit plot. Sample quote: “I wonder if the First Lady was the one to turn off the machine.”
Numerology
You may have heard that Joshua Cohen has a new book out this week. The Harper’s columnist’s fourth novel tells the story of a ghostwriter producing a tech wizard’s memoirs. In BOMB Magazine, Dan Duray sits down with Cohen, who talks about the book, the Bay Area and the cultural production of autism. Related: Johannes Lichtman on Cohen’s Four New Messages.
●
●
The Only Real Currency
“Produce like no one is listening. Distribute like nobody’s watching. Contribute like you’ve never been hurt.” Here is lil’ sweetheart Karl Marx like you’ve never seen him before — what a romantic!
How to Build a Book
“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
100 Notable Disappointments
I’m relieved to see I’ve actually read some of the 100 Most Notable Books of 2011. But Rumpus writer Roxane Gay, is pretty disappointed.
Believe Me
There’s a certain narrative voice with an unspoken aim to exonerate the speaker from wrongdoing. It occurs in novels, though it’s most common in monologues, especially those which take up the entirety of a play. At Bookforum, Lurid and Cute author Adam Thirlwell lists a number of examples, including Hunger by Knut Hamsun and Wars I Have Seen by Gertrude Stein.
●
●