At Lit Hub, David Karashima asked five Japanese writers, including Yoko Ogawa and Masatsugu Ono, to discuss their favorite short stories by Haruki Murakami. Mieko Kawakami, author of Breasts and Eggs, praises the story on loneliness and lost, “Tony Takitani.” “I think of Murakami as an athlete,” she says. “Just as a sprinter does everything he can to cut a tenth of a second off his time, Murakami has always assessed his abilities, set new goals for his next work, refined his skills, and pushed the outer limits of his fictional universe.”
“I would argue that decent books coverage in a daily newspaper — especially when it’s presented in such a way that readers are likely to stumble over it and discover titles they might not otherwise have heard of — is more supportive of writers in the long run than a scholarship program.” At Salon, Laura Miller explores literary culture and the downsides of the MFA, which include teaching high school.
“Will excessive drinking unleash your creative energy? Who can say?” Over at The Toast, intrepid cataloger Ren Arcamone has compiled a list of things you could be doing instead of writing your thesis. Go read it instead of writing your thesis. Continue the stay of essay execution and check out Mallory Ortberg’s hilarious (and helpful) guide to some common signs that you might be dying in a Victorian novel.
“When, like Alice Munro, you feel your way forward, sniffing and digging and groping toward a truth virtually beyond words, it takes a long time. And the structures, organic to that process, are as miraculous and indicative and expressive of that truth—one of the deeper truths of human life—that fiction is all about.” Elizabeth Poliner explains how mapping Alice Munro’s stories made her a better writer. Never read Munro? Check out our beginner’s guide to her stories.