At Guernica, Garth Greenwell discusses his new book, Cleanness, which shares a narrator with his debut, What Belongs to You. “I think it’s an assumption on my part about human beings: that we don’t know ourselves, that we are much more mysteries to ourselves than we are clear, and that someone who feels they are not a mystery to themselves is deluded,” Greenwell says. “It always seems to me that there’s a great deal of ourselves we don’t know, and that we don’t want to know. One of the things that interests me about narrative, and about having the same narrator over two books, is the possibility that presents of repeatedly putting this person in situations where he undergoes a process of coming into self-knowledge and is forced to look at things he’d prefer not to look at and to discover things that maybe he would prefer not to know, or things that frighten him.”
Garth Greenwell on Being a Mystery to Yourself
Good Ol’ USA Trilogy
“While the revolutionary milieu that was the source of many of the book’s events may have vanished, we have our own milieu.” At The Rumpus, Will Augerot re-evaluates John Dos Passos’s The USA Trilogy. He concludes that Dos Passos is more relevant than ever. Pair with: Our essay on the polyphonic novel.
Brace Yourselves
A graduate of Iowa’s esteemed Writer’s Workshop has reportedly inked a seven figure book deal for a fantasy trilogy being billed as “a female version of George R. R. Martin’s Game of Thrones.” Also? It was inspired by Barack Obama.
High Expectations
“My sense, though, was that he was a very complicated man. He could enter a room and be the organizer of games and magic tricks and funny stories and a brilliant mimic and holding forth and entertaining and holding the center. But he was also incredibly controlling; he was domineering.” Ralph Fiennes on playing Charles Dickens.
Women’s Artistic Genius
Over at Public Books, Katie Fitzpatrick writes that Dana Spiotta’s Innocents and Others is a novel on women’s artistic genius. Pair with Jason Arthur’s review of the novel.
The Millions Needs Your Votes!
Voting in the 3 Quarks Daily 2010 Arts & Literature Prize is about to come to an end, so this is your last chance to click over and vote for your favorite Millions essay to win the prize. Pick your favorite and place your vote.
Junot Díaz Cover Art
Junot Díaz’s forthcoming collection This is How You Lose Her now has cover art. It appears to be video game inspired.
Known Knowns
Literary fame is a knotty thing. It’s hard to predict exactly who will be known for centuries, and why. William Wordsworth, for example, owes at least part of his fame to the Lake District, which started to use him in their tourist campaigns not long after his death. In The New Yorker, Joshua Rothman takes a look at H.J. Jackson’s Those Who Write for Immortality. Related: Gina Fattore’s recent essay on fame and money.