Two-time Pulitzer-winner Colson Whitehead spoke to Hillel Italie at AP News about his latest book, The Nickel Boys, his quarantine routine, and his childhood reading habits. “I wanted to write from a very early age, just from reading Marvel Comics and Stephen King, and Arthur C. Clarke and Ray Bradbury,” Whitehead says. “I consumed fantastic fiction and loved how you could make possible whatever weird idea you had in your head. Your taking your eccentric ideas and trying to convince the reader that they’re plausible.”
Marjorie Liu is the author of Monstress, a new comic from Image. In her free time, she has also earned a law degree and published over twenty novels, novellas, short stories, and comics. Hear what she has to say about diversity, the body, and writing. You could also read our review of The Best American Comics 2014.
“I had put manure bags—yes, manure, which is what we could get—at the front and back doors.” Publishers Weekly looks at how Houston-area indie bookstores are faring post-Harvey.
New this week: The High Mountains of Portugal by Yann Martel; The Book of Memory by Petina Gappah; Youngblood by Matthew Gallagher; Black Deutschland by Darryl Pinckney; The Collected Novellas of Stefan Zweig; A Decent Ride by Irvine Welsh; Don’t Lose Track by Jordannah Elizabeth; and The Queen of the Night by Alexander Chee (who we interviewed this week). For more on these and other new titles, go read our Great 2016 Book Preview.
Jorge Louis Borges’s suggestions for the thirty-three books to begin his famed Library of Babel includes works by Oscar Wilde, Franz Kafka, and even Borges himself–and, maddeningly, no women. Nothing against Borges, but you may want to spend some time with our own slightly more diverse Year in Reading series for a bit more variety.
“Then, about an hour into the newest version, it struck me: it’s Twilight!…That’s how I would have pitched the film, and the fact that I was thinking of it while watching Heathcliff and Catherine break each other’s hearts was an indication of Arnold’s failure to capture a fraction of Brontë’s genius.” The impossibility of filming Wuthering Heights.