At Electric Literature, Ann and Jeff VanderMeer take a look at fantasy’s impact on comtemporary pop culture, in their introduction to the new collection, The Big Book of Modern Fantasy. “Fantasy becomes something of use to a writer to make a political or social statement,” they write. “It’s not just a mode, it’s a tool allowing conversation with predecessors and conversation with an often bewildering and sometimes horrifying world; it’s no surprise that absurdism and surrealism arose when they did.”
“Kindness cuts through the rest. And it’s a reminder for us all to reach out. Write that sweet note. Make that loving phone call. Because you never know what will stick.” Here is the follow-up to Julienne Grey’s fantastic New York Times piece “My Mother is Not a Bird,” courtesy of Electric Literature.
I’ve loved old sci-fi B-movies forever, and a staggering number of my childhood memories involve Ray Harryhausen. For this reason, I’m really geeking out over The New Yorker’s entire science fiction issue, but in particular this piece by Colson Whitehead deserves your time.
Recommended recommendations: The Airship has rounded up the best recent additions to Project Gutenberg, the online collection of free digitized books.
It has become increasingly common for publications to charge a fee upon submitting work. According to The Atlantic, this practice spells disaster for the writing community at every level. Quit paying out to big journals and just charge yourself the fee instead–here’s a piece on the efficacy of self-publishing.