For the 25th anniversary of Howard Cruse‘s powerful graphic novel, Stuck Rubber Baby, (which you can read an excerpt of here) Alison Bechdel reflects on Cruse’s impressive portrayal of his place in history. “Stuck Rubber Baby is a story, but it’s also a history—or perhaps more accurately a story about how history happens, one person at a time,” Bechdel writes. “What does it take to transcend our isolation and our particular internalized oppressions to touch—and change—the outside world? As Toland Polk begins to engage truthfully with his inner self, his outer self is able to connect with others more authentically and powerfully. Actually, it’s just as accurate to put this the other way around, because those two actions are inextricable from one another.”
“I write, always thinking about the generations of black women who came before me, who faced racism and sexism head-on, and in spite of it all, did their work. They encourage me not to despair.” For Vogue, author Brit Bennett writes about 2017, racism, Trump, and the forward progression of time. Pair with: staff writer Ismail Muhammad‘s interview with Bennett.
Out this week: Death of the Black-Haired Girl by Robert Stone; Hild by Nicola Griffith; A Permanent Member of the Family by Russell Banks; The Collected Stories of Stefan Zweig; and A Prayer Journal by Flannery O’Connor. For more on these and other new releases, go read our Great Second-Half 2013 Book Preview.
After last week’s NYT “Room for Debate” feature, ostensibly in answer to the question of why so many adults read YA fiction, Roger Sutton at the Horn Book took umbrage at the panelists’ only partial engagement with the question. In the end though, he makes his own position clear: “I don’t worry about adults reading YA novels. Read what you want.”