For the 25th anniversary of Howard Cruse‘s powerful graphic novel, Stuck Rubber Baby, (which you can read an excerpt of here) Alison Bechdel reflects on Cruse’s impressive portrayal of his place in history. “Stuck Rubber Baby is a story, but it’s also a history—or perhaps more accurately a story about how history happens, one person at a time,” Bechdel writes. “What does it take to transcend our isolation and our particular internalized oppressions to touch—and change—the outside world? As Toland Polk begins to engage truthfully with his inner self, his outer self is able to connect with others more authentically and powerfully. Actually, it’s just as accurate to put this the other way around, because those two actions are inextricable from one another.”
On the NY Daily News’ Page Views blog, Alexander Nazaryan writes about the Westminster Kennel Club Dog Show’s most neglected — yet also most literary — member breed: the dachshund. “No dog,” Nazaryan writes, “has been more widely loved by writers and artists than the dachshund.” Comedian Streeter Seidell agrees that the dachshund was slighted, and calls for a “fan favorite” award next year.
“Puzzled as to why her mother had not figured out “Miriam” on her own — or why, after Capote became famous, she did not say much about her letter and his answer — Ms. Akers sought clues.” The New York Times writes about recently discovered letter from Truman Capote to a young reader who misunderstood his first published story. Read our own Michael Bourne on the tragedy of Capote’s life.
Can’t get enough of Orange is the New Black? Neither could The Missouri Review. Their new blog series, Literature on Lockdown, shares narratives from those who teach or write in prisons. This week’s post comes from Ace Boggess, a poet who spent five years in a West Virginia prison. “One thing about being a writer in prison is that you have not lost everything. You still have that driving need to speak whatever truth you know in whatever way you can. No one can take that away from you, not even the State.”
“Quite possibly I’m a narrower, nastier and less morally responsible writer now than I was the day before my son was born. I certainly hope so.” We know Father’s Day was over a week ago, but here’s a belated link to a refreshingly cliché-free New York Times Bookends piece on parenting and writing, featuring James Parker and Mohsin Hamid.