For Tor.com, Tochi Onyebuchi reflects on his role as a black writer during protests against police brutality and the killing of black men and women. “And there I was, walking past that hollowed-out grocery store that November night, writing. Struggling with the possibility that this writing does nothing,” Onyebuchi notes. “I know it is a thing that brings me joy. I feel useful doing it, even if that feeling is an illusion, smoke keeping me from seeing a difficult truth reflected back at me. Writing will not rebuild that Foodtown that went up in flames that night. It will not restock it with cereal and toilet paper and canola oil. But terror abates when I write.”
“Imagine a society in which money has been banished. A society in which you would be arrested if you wear eyeglasses, if you wear ties, or if you speak a foreign language.” The Coffin Factory‘s Randy Rosenthal takes a look at Rithy Panh’s The Elimination, an autobiography focused on his adolescence during the reign of Cambodia’s Khmer Rouge.
“Other favorites I’ve found myself overusing include ‘she nodded,’ ‘she raised her eyebrows,’ and ‘she walked home slowly / she slowly walked home.’” Maria Murnane writes for the Amazon Author Insights blog (full disclosure: Amazon helps us keep the lights on around here!) about how to watch out for crutch words.
Bret Easton Ellis and Paul Schrader are using Kickstarter to raise $100,000 for an indie movie entitled The Canyons. The film “documents five twenty-something’s quest for power, love, sex and success in 2012 Hollywood,” and, if you donate $5,000, Ellis will provide notes on your novel. According to New York, this Ellis-Schrader film is not to be confused with their other one about sharks, alluded to most recently by Ellis in his Paris Review interview (Reg. Req.).