At Catapult, author Nadia Owusu, in a column titled “Exit Interviews,” gives voice to the grief of people of color—grief that is so often silenced. “We can choose to permanently change how we view each other,” Owusu writes, “how we work together, validating each other’s experiences and fears and losses—not just in the current moment, but into and through whatever comes next. And the change that is possible within the microcosm of a workplace might also be possible in other workplaces, in a society, in the wider world.”
“As I read her words, I experienced a feeling previously unknown to me: recognition. I had always turned to books for pleasure, as portals to other places. Reading The Woman Warrior, for the first time I saw myself on every page and in every word.” For Catapult, Alexis Cheung writes about representation, being an Asian-American writer, and reading and interviewing Maxine Hong Kingston. From our archives: Kingston’s work was featured in Alexander Chee‘s 2015 Year in Reading.
“Long before feminism made fashion a guilty pleasure, my first experience of the sisterhood among strangers took place in a communal dressing room.” Judith Thurman writes for The New Yorker about Women in Clothes and her experiences in thrift stores and clothing swaps. For more about the connections between feminism, dressing and literature, check out Rachel Signer‘s Millions review of the same anthology.