James McBride discusses his latest book, Deacon King Kong, with Sam Sanders at NPR, as well as the the importance of writing without regard for other people’s expectations. “I don’t think you can write books if you worry about what people think and what they’re going to say,” McBride says. “You know, the craft of putting together a story with a kind of complicated matter that is involved in story structure, you know, in a 300- or 350-page book, it’s too complicated to worry about whether someone’s going to say this […] You have a purpose to do something. You don’t choose writing. Writing chooses you.”
James McBride on How the Writing Chooses You
The Paris Review Interviews Ursula K. Le Guin
One year after The Millions interviewed Ursula K. Le Guin, the author is interviewed by The Paris Review. Causation or correlation: you decide.
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The Graveyard Movie
Neil Gaiman’s 2009 Newbery medal winner, The Graveyard Book, was originally supposed to be adapted into an animated film. Now, however, it looks like Ron Howard might take the project’s reins and shoot it in live action.
Tuesday New Release Day: Banks, Sittenfeld, Campbell, Towles
Quarry, The final book of Iain M. Banks, who died this month, is now out. Also out: Sisterland by Curtis Sittenfeld, On the Floor by Afric Campbell, and, as an “e-single” spin-off to his bestseller Rules of Civility, Amor Towles is out with Eve in Hollywood.
“The realization that none of us can ever be free from ourselves”
Mary Ruefle wrote an outstanding essay on her development as a writer. “I remember the first time I realized the world we are born into,” she writes, “is not the one we leave.”
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Elena Ferrante, Author. Columnist?
Best selling author Elena Ferrante will be a new weekend columnist for the Guardian magazine. Why did she decide to go this route in addition to writing a screenplay? Read her reasoning and pair with this essay on reading Italy through Ferrante’s work.
Next Up: Volcanic Vodka
What’s cooler: bourbon aged at sea, or beer made from barley launched into space?