At Lit Hub, Gabrielle Bellot examines “The Machine Stops,” the sole science-fiction story written by E.M. Forster, which contains eerie echos of today’s socially distanced world. “‘The Machine Stops’ would become famous a century after its publication for supposedly having envisioned technologies like social media—and the dangers thereof—long before they appeared,” Bellot writes. “People live in isolation in chambers, where they can call up music and real-time video-chatting at a click; the Earth’s surface is, authorities declare, uninhabitable, so people are advised to stay in their cozy rooms, which everyone has adapted to as their standard for normality.”
E.M. Forster’s Prescient Sci-Fi Story
Always and Everywhere
“After silence that which comes nearest to expressing the inexpressible is music.” You’ve seen the quote on Pinterest and Tumblr, so why not dig a little deeper into Aldous Huxley’s ideas about the transcendent capabilities of music?
Addressing the Critics
Last week, I directed you to Catie Disabato’s Thick Skin interview at 0s&1s. This week, Year in Reading alum Laura van den Berg joins them for the latest installment of the series, in which authors address their critics. We also recently interviewed van den Berg following the release of her first novel, Find Me.
New from Diane Williams
In the most recent issue of Pank, read new fiction from Diane Williams. We review her collection Vicky Swanky Is a Beauty.
And They Lived Just Fine From There On Out
“Once upon a time a woman never got married, but had many fulfilling relationships, a job that kept her comfortable, an apartment that she got to decorate just for her, and hobbies that stimulated her mind.” Six fairy tales for the modern woman.
New Borges Editions
These new Penguin Classics editions of Jorge Luis Borges’ essays and poetry make a nice set, with the covers of each of the five books displaying a different rendering of Borges’ portrait.
Saying Without Saying
Giles Harvey discusses the ways in which Anton Chekhov’s characters — as dramatized in his stories and a new stage production — “long to express their innermost desires … but instead they find themselves saying things like, ‘Why did I go out to lunch?’ “