For Teacher Appreciation Week, Joumana Khatib at The New York Times asked writers about the books they were recommended to read by their teachers. Poet Ada Limón was given Ray Bradbury‘s The October Country by her high school English teacher. “I had never read stories like this,” Limon says. “The sense of surprise. The distrust of human beings. How the enemy could be the wind or a crowd, or how a farmer could be forced to cut wheat that isn’t wheat at all with his giant scythe. I also learned the word scythe! It was just weird enough for me at 13. Just forbidden enough. Just dark and morbid enough to keep my interest. I still think about those short stories, their strange and eerie turns, how it gave the world another magical (and creepy) possibility.”
Ada Limón on Reading Ray Bradbury in High School
Earth’s Song
Recommended Reading: Joseph Fasano’s “Coda,” which is The Missouri Review’s poem of the week. “Now he is listening for beginning./Now he is lying/among that sinew,/asking, as a boy would, where his song goes.”
On Bookends
We’ve covered The New York Times Bookends column before. This week, James Parker and Liesl Schillinger discuss why we should read books considered “obscene.” Our own Matt Seidel reveals the rejected questions for the Bookends column.
The Pioneer Detectives: Now on iTunes!
Good news folks. The Pioneer Detectives, our new ebook original, is now available on iTunes.
Feather-Light Chime
In the spirit of yesterday’s noise/silence-conscious Curiosity, here’s a piece from Granta Magazine that offers us a sneak peek at Helen Oyeyemi’s writing playlist. Spoiler alert: Led Zeppelin didn’t make the cut.
Love Ever Write Often
“The way (Yeats) puts down a man’s head & a woman’s head side by side, or face to face, is terrifying, two irreducible singlenesses & the impassable immensity between.” The Paris Review has published a brief, fascinating letter written by Samuel Beckett to his aunt Cissie Sinclair containing an original poem and some positive criticism of the painter Jack B. Yeats. Top it off with this essay by Elizabeth Winkler about language, style, and translation–and how any of that might help to make sense of Beckett’s convoluted legacy.
“How an ordinary Asian fell in love with The Smiths”
You may not expect much from a write-up about The Smiths’ new collected box set, Complete, but that’s about to change. In a phenomenal piece on the relationship between racial (in particular Asian) otherness and the UK band’s music, Sukhdev Sandhu explains how Morrissey’s “lyrics and persona mapped out a structure of feeling that spoke to my own floundering selfhood.”
They Put a Spell on Her
“Maybe I could find some peace there, or a husband. Maybe it would be like going home.” Katherina Grace Thomas writes for Guernica about Nina Simone‘s three beautiful years in Liberia during the 1970s. See also: Bill Morris on the Hollywood biopic.
Brutalised Africans Made Glasgow
Amidst increasing calls to “memorialize slavery’s ties with Glasgow in a more sensitive way,” Scottish poet Kate Tough recently published a tribute poem, “People Made Glasgow.” Tough calls on the city to install a permanent slavery exhibit, a memorial garden, or new street names as well.