After her latest novel, Lost Children Archive, won the British Rathbone Folio Prize, Valeria Luiselli spoke to Claudia Torrens at AP News about the importance of artists continuing to write during this uncertain time. “I think it is my duty, and the duty of every writer,” she says, “whether is a science-fiction writer, a journalist, a poet, each at their own pace and within their own capacities, to document this moment.”
Valeria Luiselli on Writing Through the Pandemic
We Can’t Make This Up
If you thought Cameron Diaz’s windshield sex scene in The Counselor was weird, things just got weirder for Cormac McCarthy. His ex-wife was arrested for pulling a gun out of her vagina after a domestic dispute about aliens escalated. Pair with: Our essay on McCarthy’s foray into screenwriting.
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Twitter Fiction
“I rather like the idea of just using a few brushstrokes to create a whole world. And, of course, with Twitter you do that, you can tell a very big story in a few lines.” Books and Arts Daily talks with Alexander McCall Smith about the new art of Twitter fiction. Pair with the full text of David Mitchell‘s Twitter story “The Right Sort,” exclusively on The Millions.
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The Moth Wins MacArthur Award
Among the institutions that have just won MacArthur Awards are The Moth, for promoting the art and craft of storytelling, and the Center for Investigative Reporting, for engaging the public and sparking policy change.
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How to be a Good Literary Loser
Rick Gekoski, previously shortlisted for the PEN/Ackerley prize, talks about what it means to be a good literary loser, at Guardian: “And as soon as the winner is announced and it isn’t you,” Colm Tóibín observed, “the cameraman just walks away, and you are left there at the table trying to look composed, and you want to die.”
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