After her latest novel, Lost Children Archive, won the British Rathbone Folio Prize, Valeria Luiselli spoke to Claudia Torrens at AP News about the importance of artists continuing to write during this uncertain time. “I think it is my duty, and the duty of every writer,” she says, “whether is a science-fiction writer, a journalist, a poet, each at their own pace and within their own capacities, to document this moment.”
If you thought Cameron Diaz’s windshield sex scene in The Counselor was weird, things just got weirder for Cormac McCarthy. His ex-wife was arrested for pulling a gun out of her vagina after a domestic dispute about aliens escalated. Pair with: Our essay on McCarthy’s foray into screenwriting.
“I rather like the idea of just using a few brushstrokes to create a whole world. And, of course, with Twitter you do that, you can tell a very big story in a few lines.” Books and Arts Daily talks with Alexander McCall Smith about the new art of Twitter fiction. Pair with the full text of David Mitchell‘s Twitter story “The Right Sort,” exclusively on The Millions.
Rick Gekoski, previously shortlisted for the PEN/Ackerley prize, talks about what it means to be a good literary loser, at Guardian: “And as soon as the winner is announced and it isn’t you,” Colm Tóibín observed, “the cameraman just walks away, and you are left there at the table trying to look composed, and you want to die.”