Over at The New York Times, Lauren Chistensen interviews Ottessa Moshfegh about her latest book, Death in Her Hands, which follows Vesta, an aging woman with a steadily fading grip on reality, whose isolation takes on new significance in today’s quarantined climate. “It isn’t so much that Vesta was alone and she went insane,” Moshfesh says. “This is a woman who chose to live in isolation to find peace toward the end of her life—and, in the process, encountered her imagination.”
Ottessa Moshfegh on Imagination in Isolation
Happy (?) Birthday, Franz
Franz Kafka’s birthday was a couple of days ago — the celebration (which would surely have been a subdued affair) would have been his 133rd. Celebrate yourself by taking look at this helpful animation which explains the woefully misused term “Kafkaesque.”
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The Desert Oracle Gives You the Desert
Pacific Standards profiles Ken Layne who quietly started the popular quarterly literary magazine, Desert Oracle for a town of 8,000 people. Now it has gained far more readers than that as it highlights works related to the American desert. “The reason that the Oracle works is that it’s always trying to elicit that feeling, the awe and wonder that the desert reveals to you when you listen hard enough. Layne believes it’s not an accident that religious awakenings, UFO sightings, walkabouts, and other revelations occur in the desert. It’s a consequence of solitude, stark beauty, and the tenacious life that only the desert has.”
Plus He Took a Selfie
We’re not the only ones looking back on favorite pieces of the year. At The Paris Review Daily, a Gchat (yes, Gchat) with George Saunders, who corresponded with Katherine Bernard on Valentine’s Day.
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Like a Prayer
Thirty years after its initial publication, Don DeLillo’s White Noise is still every bit the hilarious, uncannily prescient classic that everyone believed it was. White nailed the whole “America poisoned by reality and the humming glow of computer screens” angle better than almost anyone. For more DeLillo, here’s what its like to re-read White Noise.
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A Sentimental Journey
E.V. de Cleyre writes for Ploughshares about sentimentality. As she puts it, “It is not enough to have a feeling and express it—we must exercise discernment, ask what these feelings we’re feeling are, dissect them, and find the language that matches how they look, feel, smell, and taste.” Pair with this Millions essay on literary sentiment.
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