Dreaming of escaping to outer space during this time? We don’t blame you. Christopher Wanjek at the Guardian lists some of the best books that imagine a future on other planets. The list includes works by Martha Ackmann, Mary Roach, and Jules Verne. “The next few centuries may see us travel to Mars and beyond,” Wanjek writes, “but human explorers will find that writers have already planted the flag of the imagination on all these new horizons.”
An Intergalactic Reading List
Tell Us a Story
Why do the British tell the best children’s stories? Perhaps because their culture has remained in touch with its pagan folklore, whereas in the United States, more pragmatic tales of morality, Christian obedience, and bootstrap-lifting rose to prominence. Also, picture books: general good thing for children or roadmap to total the moral collapse of society?
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Travel Estimate
Write what you know? Pssh, how twentieth-century. More like write what you can Google Map.
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Kill Your Crutches
“Other favorites I’ve found myself overusing include ‘she nodded,’ ‘she raised her eyebrows,’ and ‘she walked home slowly / she slowly walked home.’” Maria Murnane writes for the Amazon Author Insights blog (full disclosure: Amazon helps us keep the lights on around here!) about how to watch out for crutch words.
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Lolita Covered
The contest to design a new cover for Lolita that we noted in August has named some winners.
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Strike Back
“What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed.” At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.
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Cost of the Memoir
“My parents really don’t like that book. It embarrassed and saddened them and they didn’t understand why I would air my dirty laundry in public. They’ve had some time to sit with it and now they’re more supportive of what I do as a memoirist. I think they see the value of telling your story now. It’s still a tender subject and I wouldn’t say that they exactly love the book now, but at least it’s an open dialogue.” Jillian Lauren speaks on the cost of telling one’s truth publicly and her memoir Some Girls: My Life in a Harem. Pair with a piece by our own Michael Bourne on the art and business of memoirs.
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Vanishing on the Stage
Over at Entropy, Laura A. Warman writes about queer poetics and the politics of the body in poetry performances. As she puts it, “Can we be a body that is constantly obscured?” Pair with this Millions essay on poetry performances.
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