Almost 90 years after it was written, Romance in Marseille by Claude McKay is getting a chance to reach wider audiences thanks to Penguin Classics. The book’s plot seems contemporary by today’s standards, as it delves into issues of queerness and cultural displacement. For The New York Times, Talya Zax explore’s McKay’s place in the Harlem Renaissance, as well as the book’s long path to publication. “McKay belonged both to that subculture and to the movement’s mainstream. His 1928 novel Home to Harlem was the first American best seller by a black writer. But despite being seen as one of the Renaissance’s guiding lights, McKay — Jamaican, bisexual, a Marxist who grew disenchanted with communism before the rest of his cohort — also brought an outsider’s critical gaze to the movement.”
A Forgotten Classic of the Harlem Renaissance
Goodnight, Stein
“My students are not as puzzled by Gertrude Stein as I expect them to be. Stein writes: ‘Glazed Glitter. Nickel, what is nickel,’ and my students recognize the moment of wondering. This habit of wonder is familiar in part because we have been raised on the lists of Goodnight Moon.” On Gertrude Stein, Goodnight Moon, and the wonderment of language from Slate.
Calvin!
“Calvin and Hobbes is certainly not a text about queerness, yet when I returned to it at this altered point in my life, the strip suddenly seemed to describe things that resonated with me now: what it was like to live in a world where expressing your realest self is so often penalized, and the value of finding a second family, a close friend or friends, if your blood family fails to understand or accept the truest version of you.” Gabrielle Bellot at The Literary Hub explains why Calvin and Hobbes is great literature.
“Linguistic loot”
Recommended Reading: Kate Manning on the “slumgullions” of English.
Chocolate Tears
“I can tell you that it was his agent who thought it was a bad idea, when the book was first published, to have a black hero.” Roald Dahl‘s widow says that he intended for the eponymous hero of Charlie and the Chocolate Factory to be “a little black boy.” Pair with our own Jacob Lambert‘s fond recollection of reading Dahl to his son.
Not a Soirée
At The Guardian, Susanna Rustin interviews the Irish writer Edna O’Brien, whose new anthology of stories, The Love Object, comes out as an e-book this week. Among other things, she compares a writer who works on a book for only one day a week with a parent who leaves a toddler unsupervised: “You can’t find it again.”
“The closest analogy for me is Woody Allen”
Following in the footsteps of Amy Poehler, The Office star B.J. Novak has signed a book deal with Knopf. Unlike Poehler, who plans to write a memoir, Novak will publish a collection of comedic short stories.
Kafka’s “The Country Doctor” as a film
The internet’s repository of Franz Kafka-inspired literary treats seems to have no bounds. This latest: his excellent short story “The Country Doctor” has been adapted by Japanese filmmaker Kōji Yamamura into a 20-minute animated film (subtitled). Kafka adaptations clearly aren’t going anywhere. Pair with our essay on the subtle art of rereading his most famous story.