As the author of two novels, Dina Nayeri uses fiction to inform nonfiction in her latest book, The Ungrateful Refugee. Jessica Goudeau spoke to Nayeri for Guernica about the ways fiction has helped her when working with refugees and their stories. “You have to learn to write fiction in order to learn how to tell the truth,” Nayeri says. “In fiction, if you dare to write anything more than what actually happened, then you’re very quickly told you’re being sentimental. And that would be absolutely true! It’s way more powerful to allow readers to find the power and the emotion and the heartbreak for themselves.”
If you’re going to be at AWP, check out the Flatmancrooked and Mud Luscious Press “Author vs. Puppet” reading (and, yes, puppet show). I’ll be reading/puppeteering, as will novella writers Emma Straub and Alyssa Knickerbocker, among others. The fun starts at the Flatmancrooked booth on Friday at 4 pm!
The internet’s repository of Franz Kafka-inspired literary treats seems to have no bounds. This latest: his excellent short story “The Country Doctor” has been adapted by Japanese filmmaker Kōji Yamamura into a 20-minute animated film (subtitled). Kafka adaptations clearly aren’t going anywhere. Pair with our essay on the subtle art of rereading his most famous story.
Kudos to Claire Vaye Watkins for taking home the Dylan Thomas Prize! Worth £30,000, the prize went to Watkins because, in the words of of the chair of the judging panel, she possesses “some of Dylan Thomas’s extraordinary skill in the short story form.” (Read more about Watkins’s work in Geoff Mak’s review of her 2012 book Battleborn.)