At Lit Hub, Sara Wheeler shares an excerpt from her book, Mud and Stars, focusing on Constance Garnett, an “indefatigable worker” who translated the works of Dostoevsky and Chekhov. As she brought these writers further into the English mainstream, the translator gained her fair share of admirers. “Garnett made Dostoyevsky a household name, and he did the same for her. Ernest Hemingway was one of many who admired her Dostoyevskys, as well as her Tolstoys. ‘I remember,’ he told a friend, ‘how many times I tried to read War and Peace until I got the Constance Garnett translation.'”
“Directly you are in motion you will feel quite helpless, and experience a sensation of being run away with, and it will seem as if the machine were trying to throw you off.” The bicycle was little more than a confusing craze back in 1877. The London Library has just uncovered some fascinating and hilarious vintage educational pamphlets on everything from ‘The Gentlewoman’s Book of Sports’ to ‘Cycling As a Cause of Heart Disease.’
Since we’re deep into the season of “year end” lists, here’s a list of ten great novels written by women that didn’t get a lot of critical attention this year. That isn’t to say that aren’t a ton of other books deserving of this distinction, just that these are some really good ones. Go list-crazy and pair with our own Year in Reading series.
Hollywood Notebook by Wendy Ortiz is both a book of poetry and a memoir. Composed of several prose poems, the book depicts her evolution into a poet in her early thirties, following up where her previous memoir Excavation left off. At The Rumpus, Lesley Heiser analyses the book, with references to Phil Klay’s Redeployment and Hermione Lee’s biography of Virginia Woolf.
Newsweek Senior Writer (and Millions contributor) Alexander Nazaryan has a new interview with William T. Vollmann up on Newsweek’s website. To start things off right, he reports that if Vollman were to win the Nobel Prize, he’d enjoy giving a decent chunk of the prize money to prostitutes.