Author Angie Cruz started the Instagram account, Dominicanas NYC, when she couldn’t find photos of 1960s Dominican working-class women while researching her novel Dominicana. Cruz spoke to the Cut about this community-driven project that shares photos and stories of Dominican women from across the country. “I’m interested in writing about the working class, which is often under-documented,” she says. “What’s documented is what we see in the papers, about politicians, or people who have power, or crime. My family was in NYC in the ’70s, but for Dominicana, I was interested in writing about 1965. That was the year the U.S. occupied D.R. It was the year Malcolm X was shot across from the building I grew up in [in Washington Heights.] I wanted to bring all these historical moments together and show how, even if they’re different stories and movements, they’re all interconnected.”
“[I]t becomes an act of subversion, an act of catharsis.” Plougshares has a piece about the Lolita aesthetic on Tumblr. See also: our conversation with John Gall who, as art director for Vintage and Anchor books, was responsible for at least two Lolita covers, not to mention the redesign of the entire Nabokov catalog.
Stephen King talks to James Parker of The Atlantic about how his new short story came to be, his writing process, and the state of fiction today. He also manages to work in his opinions on Judas Priest and Metallica. Read “Herman Wouk is Still Alive” here.
It’s a big week for new books. Amitav Ghosh’s River of Smoke is now out, as is Lost Memory of Skin by Russell Banks, Chango’s Beads and Two-Tone Shoes by William Kennedy, Luminous Airplanes by Paul La Farge, and The Funny Man by John Warner, who recently appeared in these pages. Philip Roth’s American Trilogy is getting the Library of America treatment. (Capsule previews of all of the preceding titles are available here, incidentally). New in non-fiction is Stephen Greenblatt’s The Swerve: How the World Became Modern and Susan Orlean’s Rin Tin Tin. And out in paperback: none other than Jonathan Franzen’s Freedom.