For The New Yorker, Stephanie Burt examines how the work of poet Seamus Heaney became synonymous with happiness and joy—and how it came to be quoted by presidents and casual readers alike. “It is this later, happier Heaney who comes into his own in his family’s idiosyncratic selection. Almost buoyant, occasionally repetitive, surprised by himself at least as often as he surprised readers, this Heaney remained self-conscious, revisiting and answering earlier verse. ‘The Conway Stewart’ is a fancy pen, the first the poet owned, and the sharp-lined, short-lined poem of that name returns to a three-way comparison in ‘Digging’ (the first poem in his first book), between spade and pen and gun.”
Experience “THE POWER OF BOOKS“You know those annoying puzzles where you type in the letters so the computer knows you’re not a computer creating a fake account or sending spam? A group from Carnegie Mellon is using these “Captchas” to help digitize books. ReCaptcha is a special type of Captcha that displays words that book digitization software is having trouble deciphering. So, by letting the computer know you’re not a computer, you can help some other computers digitize our books.I missed Junot Diaz’s appearance at the Free Library of Philadelphia where he read from his new novel The Brief Wondrous Life of Oscar Wao, but Season Evans was there.
As a cultural center with a very different makeup than the various home bases of the publishing world, Los Angeles often gets short shrift in discussions of literary cities. At the LARB (naturally), Sarah-Jane Stratford writes about the city’s importance to speculative literature, with an emphasis on the works of Ray Bradbury. Related: Tanjil Rashid on Bradbury’s Middle East connection.