Marginalia is hallowed ground for many readers, and over at the Guardian, Alison Flood writes about a case that brings two great Western writers together. In a discovered copy of Shakespeare’s first folio, researchers found a hand-written annotation by none other than Paradise Lost author John Milton. “The astonishing find, which academics say could be one of the most important literary discoveries of modern times, was made by Cambridge University fellow Jason Scott-Warren when he was reading an article about the anonymous annotator by Pennsylvania State University English professor Claire Bourne. Bourne’s study of this copy, which has been housed in the Free Library of Philadelphia since 1944, dated the annotator to the mid-17th century, finding them alive to ‘the sense, accuracy, and interpretative possibility of the dialogue.'”
You’ve read Elif Batuman’s dissertation on the double-entry book-keeping of novelists (pdf), but now your “debit” balance is low. (Whose isn’t these days?) Enter Sheila Heti and Misha Glouberman. They can document your very essence. The Paris Review has an excerpt from The Chairs Are Where the People Go.
To commemorate publication of the 65th anniversary edition of Raymond Queneau’s Exercises in Style, New Directions has asked ten contemporary writers to “create new exercises in homage to Queneau.” Over at The Rumpus, you can check out Jonathan Lethem’s “Cyberpunk” exercise, as well as one of Queneau’s twenty eight “never before translated” exercises making its English debut in the new edition. Bonus: read our own Mark O’Connell on the “radical claims about the relationship between form and content” in Queneau’s writing.
With the help of Johnny Depp, author Douglas Brinkley plans to release Woody Guthrie’s unpublished novel House of Earth next year. Guthrie finished the manuscript—which should yield a finished book about 250-pages long—in 1947, and it concerns a couple from West Texas who fight against banks and lumber companies.
Maria Popova, who recently wrote a Year In Reading post for our series, has teamed up with artist Lisa Congdon on a new project concerning notable women working in art, science and literature. For each week in 2013, The Reconstructionists will present an illustrated portrait of one “trailblazing woman, along with a hand-lettered quote that captures her spirit.” Updates will also feature a “sort micro-essay about her life and legacy.” Up first in the series are Anaïs Nin, Gertrude Stein, Agnes Martin, and Hedy Lamarr.
” I love the shape of words, I love the comet-tail histories of words. I love the roll and crunch of syllables in my mouth.” In Electric Literature, Laura van den Berg interviews R.O. Kwon about religious fanaticism, “unknowing,” and her upcoming debut novel, The Incendiaries. Pair with: Kwon’s 2017 Year in Reading.
Recommended reading: “What is Color in Poetry” by Dorothea Lasky for Poetry. It’s a lengthy article but a thoughtful one, and, as a bonus, it includes some of Lasky’s childhood poetry. Pair with our earlier post about reading teenage poetry to crowds and you’ve got a theme for the day.