Madeleine Olneck’s new film, Wild Nights with Emily, explores Emily Dickinson’s romance with Susan Gilbert Dickinson, her sister-in-law and neighbor. Olneck was able to use Dickinson’s poems in the film with the permission of Harvard University Press, something that seems strange to Seth Perlow at the Los Angeles Review of Books. “One ought not expect a single institution to unilaterally change the norms of intellectual property,” Perlow writes, “but in the case of a poet as famous as Dickinson, one might wish that Harvard would relax its grip. As it stands, the wealthiest university in the world claims the rights to a body of poems that were unpublished when their author died, over 130 years ago, and many of whose source manuscripts this institution has never possessed.”
The Outlaw Sea author William Langewiesche has a new ebook out in the “Single” format, Finding the Devil: Darkness, Light, and the Untold Story of the Chilean Mine Disaster, about the 2010 disaster that left 33 miners trapped for nearly two months.
Would you eat the marshmallow or would you resist temptation? That is the question. Our own Michael Bourne gets to the meat of why the mallow experiment fascinates us at The New York Times Magazine. “The tale of the marshmallows, as presented in Goleman’s book, read like some science-age Calvinist parable. Was I one of the elect, I wondered, a child blessed with the moral fortitude to resist temptation? Or was I doomed from age 4 to a life of impulse-driven gluttony?”
At My Life and Thoughts, Elif Batuman–in delightfully Elifish style–describes her first book travails and unveils a preliminary sketch for the cover of her forthcoming first book The Possessed: Adventures with Russian Books and the People Who Read Them, drawn by New Yorker cartoonist Roz Chast.