Madeleine Olneck’s new film, Wild Nights with Emily, explores Emily Dickinson’s romance with Susan Gilbert Dickinson, her sister-in-law and neighbor. Olneck was able to use Dickinson’s poems in the film with the permission of Harvard University Press, something that seems strange to Seth Perlow at the Los Angeles Review of Books. “One ought not expect a single institution to unilaterally change the norms of intellectual property,” Perlow writes, “but in the case of a poet as famous as Dickinson, one might wish that Harvard would relax its grip. As it stands, the wealthiest university in the world claims the rights to a body of poems that were unpublished when their author died, over 130 years ago, and many of whose source manuscripts this institution has never possessed.”
In an interview with The Atlantic, Zone One author Colson Whitehead says the distinction between “literary” and “fantasy” genres “have no use for me in my day-to-day work experience.” Whitehead is just one of the recent high-profile authors to foray into genre fiction, however, as Kim Wright explored in a piece for us last month.
PEN World Voices, the great annual festival of International Literature, unveils this year’s lineup for the week of April 26, in New York and elsewhere. Highlights include Norman Rush, Patti Smith, László Krasznahorkai, Rodrigo Frésan, and Sherman Alexie‘s “Freedom to Write” lecture.