Madeleine Olneck’s new film, Wild Nights with Emily, explores Emily Dickinson’s romance with Susan Gilbert Dickinson, her sister-in-law and neighbor. Olneck was able to use Dickinson’s poems in the film with the permission of Harvard University Press, something that seems strange to Seth Perlow at the Los Angeles Review of Books. “One ought not expect a single institution to unilaterally change the norms of intellectual property,” Perlow writes, “but in the case of a poet as famous as Dickinson, one might wish that Harvard would relax its grip. As it stands, the wealthiest university in the world claims the rights to a body of poems that were unpublished when their author died, over 130 years ago, and many of whose source manuscripts this institution has never possessed.”
Eve Ewing recently released her debut poetry collection, Electric Arches, and we dubbed it one of our must-read poetry books last month. Year in Reading alum (and another Millions favorite) Kiese Laymon called her for a Guernica magazine interview and the result is a wonderful discussion on shea butter, Jordans, writing with young people as her primary audience and Assata Shakur as a literary inspiration.
“What traits make Austen special, and can they be measured with data? Can literary genius be graphed?” The New York Times tackles the question of why, 200 years after her death, Jane Austen is still so popular. (One finding: the author“used intensifying words — like very, much, so — at a higher rate than other writers.”) See also: our interview with Curtis Sittenfeld, whose most-recent novel Eligible is the ultimate literary tribute, an adaptation of Austen’s Pride and Prejudice.