Here’s a thought experiment: Let’s say you’re a lover of poetry. Maybe you like to read our poetry excerpt series; perhaps you eagerly await our monthly must-read poetry lists. Now, a step further: perhaps you write poetry? Might you be looking for a place to submit said poetry (and have been energized, instead of dejected, by Glen Cadigan’s recent essay on submissions)? Is it possible that you have not yet compiled the highly detailed spreadsheet of poetry journals, submission dates, and contests that every aspiring poet must make before sending out a single poem for consideration? To get you started, Meimei Xu of The Adroit Journal has put together a list of the best places to submit poetry in 2019. Complete with information on submissions periods, links to past issues, and blurbs about the history and mission of each journal, the list includes both big names, like Ploughshares and The Kenyon Review, and lesser-known gems, like Diagram and Waxwing.
“It is a sad irony that the snake’s rattle, which functions as a warning device, is widely regarded as a bellicose drumroll, or war-cry, instead. It may well have been in a mood of remorse for having killed a rattlesnake on impulse that [William] Bartram, vowing solemnly that he ‘would never again be accessory to the death of a rattle snake,’ painted his marvelous portrait of a coiled rattler.” Christopher Benfey on Rattlesnake Island, a sanctuary set up to protect the woodland serpents from their greatest danger — us.
Cole Stryker‘s Epic Win for Anonymous: How 4chan’s Army Conquered the Web looks into one of the internet’s most infamous image boards. Housing Works Bookstore will be hosting a party in September to celebrate its launch. To tide you over, you can check out the author’s interview at Betabeat.
Ahead of National Poetry Month, Publishers Weekly Poetry Reviews Editor Craig Morgan Teicher asks and answers the questions many have contemplated: “What is accomplished by poetry reviews? Do they help sell books? Do they keep the art form in line? Do they spur writers into creating better poetry or kick bad writers out of the halls of Parnassus? Do poetry reviews help readers?”