Here’s a thought experiment: Let’s say you’re a lover of poetry. Maybe you like to read our poetry excerpt series; perhaps you eagerly await our monthly must-read poetry lists. Now, a step further: perhaps you write poetry? Might you be looking for a place to submit said poetry (and have been energized, instead of dejected, by Glen Cadigan’s recent essay on submissions)? Is it possible that you have not yet compiled the highly detailed spreadsheet of poetry journals, submission dates, and contests that every aspiring poet must make before sending out a single poem for consideration? To get you started, Meimei Xu of The Adroit Journal has put together a list of the best places to submit poetry in 2019. Complete with information on submissions periods, links to past issues, and blurbs about the history and mission of each journal, the list includes both big names, like Ploughshares and The Kenyon Review, and lesser-known gems, like Diagram and Waxwing.
“Since the middle of the 20th century, the academy has conditioned us to stay grounded within texts and steer clear of writers’ biographies for insights while biographers are often timid about the kind of playful speculation that we can undertake here in Slate. Readers, myself included, tend to wonder about the sources for characters the likes of Kurtz, Sherlock Holmes, and Jay Gatsby—larger-than-life, mysterious, existing on a kind of separate plane—and in doing so we are continuing the quests of the narrators who tried first (Marlow, Watson, and Carraway).” Matthew Pearl asks: was Robert Louis Stevenson the blueprint for Conrad‘s Kurtz?
In Karen Russell‘s Swamplandia!, there is an enchanting place known as the abandoned Library Boat. “It held a cargo of books,” Ava Bigtree explains, “In the thirties and forties, Harrel M. Crow, a fisherman and bibliophile, had piloted the schooner around our part of the swamp delivering books to the scattered islanders. Then Harrel M. Crow died and I guess that was it for the door-to-door service. But his Library Boat, miraculously, had survived on the rocky island, unscavenged, undestroyed by hurricanes. It was an open secret, utilized by all our neighbors.” Now something similar has moored in England’s canals. And, across the Atlantic, one New Yorker is keeping his own open secret.
Boris is coming to the big screen. Nina Jacobson, the producer behind The Hunger Games, has acquired the rights to adapt Donna Tartt’s The Goldfinch. Whether it will be a film or TV miniseries is still up for question, but if the actors need any help getting into character, check out our essay on identifying with Theo and learn how to tweet like Boris.
New this week are Ron Rash’s The Cove, Brian Evenson’s Immobility, and Volume Two of Susan Sontag’s Journals (all books highlighted in our January preview). Out in paperback this week is David Foster Wallace’s The Pale King, from which we recently ran a previously unpublished excerpt.