The Art of the Adaptation

August 28, 2019 | 1 book mentioned

You might have seen the new Little Women trailer by now. In a series of quick cuts, the eminently familiar faces of Emma Watson and Saoirse Ronan, as well as the faces of Florence Pugh and Eliza Scanlen, flash on the screen: 2019’s wholesome and soft-feminist embodiment of those four famous girls some of us know so well from childhood. Unobjectionable, right? A new book called March Sisters also comes out this year, containing the musings of four well-known writers on their relationships to the book’s protagonists. But what about the latest adaptation of Emily Dickinson‘s life, in which Hailee Steinfeld plays a punk-rock, badass Dickinson who writes about “wild nights”—and isn’t talking about religious ecstasy? For The Guardian, Adrian Horton asks how modernized should literary adaptations be? What liberties is it okay to take?

is an aspiring academic born and raised in Brooklyn, New York. She's just moved to Madison, Wisconsin for a PhD in English, and hopes to use the next several years to get really into eating cheese curds and having "a mind of winter," as per Wallace Stevens.

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