You might have seen the new Little Women trailer by now. In a series of quick cuts, the eminently familiar faces of Emma Watson and Saoirse Ronan, as well as the faces of Florence Pugh and Eliza Scanlen, flash on the screen: 2019’s wholesome and soft-feminist embodiment of those four famous girls some of us know so well from childhood. Unobjectionable, right? A new book called March Sisters also comes out this year, containing the musings of four well-known writers on their relationships to the book’s protagonists. But what about the latest adaptation of Emily Dickinson‘s life, in which Hailee Steinfeld plays a punk-rock, badass Dickinson who writes about “wild nights”—and isn’t talking about religious ecstasy? For The Guardian, Adrian Horton asks how modernized should literary adaptations be? What liberties is it okay to take?
“The Dares. We’d been at them all summer: making each other do stuff, alone or together, just for the fun of it. Girls like us, with high GPAs and not a single boy looking our way, needed a little danger to get us through the summer.” Our own Edan Lepucki has a short story, “Ambulance of Boys,” on Storychord.com.