Rachel Monroe always wanted to be a person who’d written a book, but it took years to become someone who wanted to write a particular book. Her work as a reporter eventually led her to write Savage Appetites, which follows four women who become obsessed with violent crime, either as an investigator, defender, victim, or (would-be) killer. In a conversation with Jonny Auping for Longreads, Monroe discusses this fixation as a cultural phenomenon, saying that she was writing against “that feeling of numbness or checking out or zoning out that sometimes came over me…these stories sort of short circuit the parts of us that know better and have a sense of who is really at risk when you look at the statistical realities of crime versus these stories that make us all feel like at any moment someone is going to come through the door with a knife.”
Congrats are in order for Sergio de la Pava, who just won the $25,000 PEN/Robert W. Bingham Award for his debut novel, A Naked Singularity. For more on the novel, which holds an illustrious place in our Hall of Fame, check out our own Garth Risk Hallberg’s profile of the author from last year.
“Writers such as Gary Lutz, Diane Williams, Christine Schutt, and Noy Holland palpably employ, in somewhat different but observable ways, the strategy [Gordon] Lish calls ‘consecution,’ the focus on constructing and linking sentences by considering sound and rhythm as well as sense.” At Full-Stop, Daniel Green examines the editor’s influence in a piece on Noy Holland’s new book.