For the Paris Review, Lauren Groff takes a closer look at Virginia Woolf‘s second novel, Night and Day. Unlike her more popular novels, like To the Lighthouse and Orlando, this book has a noticeably different tone. “The conversation Virginia Woolf is conducting in her second novel is not the conversation of her later books,” Groff writes, “the one with avant-garde authors of the early twentieth century like James Joyce and Gertrude Stein, but rather a shrewd and ultimately subversive discussion with the male writers of the Edwardian age, like Henry James, John Galsworthy, and her friend E. M. Forster. This is a book that gazes backward in time with skepticism and a virago’s impulse to shred into tatters all that it sees.”
The L.A. Times Book Prize finalists for 2013 have been announced. The five finalists in fiction are: Percival Everett’s Percival Everett by Virgil Russell, Claire Messud’s The Woman Upstairs (also see her Year in Reading post), Ruth Ozeki’s A Tale for the Time Being, Susan Steinberg’s Spectacle, and Daniel Woodrell’s The Maid’s Version. The winner will be announced on April 11.
So you got a new Kindle for Christmas, and you’ve loaded it up with all our ebook recommendations? That’s great, but it may not be enough. Best to add a few ebooks to impress anyone who happens to come across your e-reader, just in case, and McSweeney’s has just the list.
The University of Iowa’s International Writing House is offering a free 7-week virtual poetry seminar this February. The course will be taught be poet Margaret Ross, and it is open to anyone with an internet connection. Attendance will be capped at 15, however, and the deadline for applications is January 28th. More details can be found here.
In The Atlantic Adrienne Green reviews the growing number of Young Adult novels tackling racial injustice and how this increase on the topic is no coincidence. “Coming out of the crucible of the past few years—during which young people have been integral to pushing conversations about the unjustified killings of black men to the forefront—the novels capture the many ways that teens of color cope with prejudice, whether through activism or personal accountability or protest.”
There was an interesting piece on the intangible economics of fine art in this weekend’s NYT Magazine that explains the difference between the markets for art and other luxury goods (like gold and property): “Because the art market isn’t regulated like financial securities, insider dealing is generally not illegal.”