For the Paris Review, Lauren Groff takes a closer look at Virginia Woolf‘s second novel, Night and Day. Unlike her more popular novels, like To the Lighthouse and Orlando, this book has a noticeably different tone. “The conversation Virginia Woolf is conducting in her second novel is not the conversation of her later books,” Groff writes, “the one with avant-garde authors of the early twentieth century like James Joyce and Gertrude Stein, but rather a shrewd and ultimately subversive discussion with the male writers of the Edwardian age, like Henry James, John Galsworthy, and her friend E. M. Forster. This is a book that gazes backward in time with skepticism and a virago’s impulse to shred into tatters all that it sees.”
Several years ago, Jeff Sharlet closely investigated The Fellowship – a “self-described invisible network dedicated to a religion of power for the powerful” – in order to write a book about “how fundamentalism came to be interwoven with American power.” Now, Sharlet has followed up his initial report with an article about Westmont College, a “feeder school” for the religious movement. This is highly recommended reading for anybody interested in the intersections of power, influence, religious fundamentalism, and American politics.
Speaking of France: whether or not you find him disagreeable, Michel Houellebecq is pretty much guaranteed to elicit an emotional response from readers. His new opinion piece in The New York Times is no different. Here’s a review of Houellebecq’s The Map and the Territory that refers to him as a “petty misanthrope.”
Out this week: Per Petterson’s latest to hit American shores is I Curse the River of Time. Also newly released is Mona Simpson’s My Hollywood. Mary Roach has another work of quirky non-fiction out, Packing for Mars: The Curious Science of Life in the Void. Young readers can now get their hands on the seventh book in the Artemis Fowl series, The Atlantis Complex. And grammar mavens have a new edition of the Chicago Manual of Style to add to their reference shelf.
“Loss isn’t science; it’s a human reckoning.” The New York Times posts an e-mail conversation between Joyce Carol Oates and Meghan O’Rourke on why we write about grief, following the release of Oates’ memoir A Widow’s Story and in anticipation of O’Rourke’s own memoir of loss, The Long Goodbye.