How did Anton Chekhov approach his writing? Over at Open Culture, they go over the lauded short story writer’s rules of writing, as stated in an 1886 letter to his brother Aleksandr. “In 1886, Chekhov advised that if Aleksandr wished to get published in the magazine Fragments, he should observe the following: ‘1. The shorter, the better; 2. A bit of ideology and being up to date is most à propos; 3. Caricature is just fine, but ignorance of civil service ranks and of the seasons is strictly prohibited.'”
“For our readers, time is the precious commodity they invest in every book they decide to purchase and read. But time is being ground down into smaller and smaller units, long nights of reflection replaced with fragmentary bursts of free time. It’s just harder to make time for that thousand-page novel than it used to be, and there are more and more thousand-page novels to suffer from that temporal fragmentation.” Tor.com on why novellas are the form of the future.
n+1’s Research Collective has posted the introduction to Ellen Willis’s No More Nice Girls: Countercultural Essays (1992), and plans to post a series of essays by the seamless activist and writer– “Her refusal to subsume her personality to a movement, or to ignore the things that were important to her, remains an inspiration.”
My favorite part of my apartment is my wall-length bookshelf. When I look at it, I think of all the time I spent reading and accumulating its contents. I feel I’ve earned it, which is why I’m slightly insulted by Juniper Books’ $3,000-$100,000 “collection-development service,” a program designed for “people who want a library but haven’t had the time or inclination to amass a collection of books.”