Doppelgängers ran rampart in literature long before the Internet made identity theft a daily occurrence. For the Guardian, Laurence Scott recounts the best books featuring doppelgängers, from Shakespeare to Agatha Christie and Philip Roth to Joanna Kavenna. “There are many ways to steal a face, and not all of them rely on the supernatural,” Scott writes. “The string of murderous misadventures in Patricia Highsmith’s 1950s novel The Talented Mr. Ripley depend on Ripley’s ability to impersonate the privileged Dickie Greenleaf. Here, a lack of technology perpetuates the hoax. In a world before it was possible to verify someone’s identity online, a passing resemblance to Greenleaf’s passport photo and a knack with signatures allow Ripley to draw money from his account and take over the dead man’s life.”
Our own Emily St. John Mandel won one of the inaugural Indie Booksellers’ Choice Awards yesterday for her novel The Singer’s Gun. The other honorees for this award, which was voted on by indie booksellers around the country, were Paolo Bacigalupi for The Windup Girl, Adam Levin for The Instructions, Karl Marlantes for Matterhorn, and Nina Revoyr for Wingshooters.
It’s been a year since Nobel laureate and Irish poet Seamus Heaney passed away. His publishers are releasing a final collection of his poetry in November. In The Irish Independent, a brief retrospective on Heaney’s legacy, which includes his wife’s unique way of expressing her gratitude to his friends. You could also read Trent Morris’s tribute to Heaney for The Millions.
“If they are honest with themselves, authors of color know what stories they’re supposed to tell, and know that attempts to move beyond those stories are not so often accepted.” Matthew Salesses on the danger of cultural homogeneity in the world of books, over at Literary Hub. Pair with Salesses’s Millions essay on novel writing, inciting incidents, and beginnings.
Apart from being one of America’s most eminent fiction writers, Eudora Welty was also an accomplished photographer, as evidenced by the hundreds of images she produced while employed by the Works Progress Administration in the midst of the Great Depression. As Danny Heitman writes, she was also known as a great public speaker, in part because, as she put it, “I’m always on time, and I don’t get drunk or hole up in a hotel with my lover.” (h/t The Paris Review)