Over at Electric Literature, Sara Borjas, author of Heart Like a Window, Mouth Like a Cliff, reflects on writing about love and identity and building a Latinx community in a candid interview with Leticia Urieta. “As I wrote, and loved, I realized that there was such a power imbalance and imbalance in respect, not just between couples, but between friends and family. In Chicanx families, we value labor. If you are not putting in labor, you are not worthy of respect. I had to look at those relationships and what ideas they were rooted in so that I didn’t perform that way.”
Those following this weekend’s events in Tripoli will no doubt be interested in Banipal‘s issue dedicated to Libyan fiction. And, as Moammar Gaddafi‘s reign appears to be ending, the Guardian‘s evisceration of his short stories is worth a read. On NPR‘s site, Hisham Matar also explains the influence of Gaddafi’s rule on Libyan writing.
“When Michael reads in one of the society columns that are hilariously reprinted here, misspellings and all, that Astrid’s jewels aren’t blingy enough, he flies into a fury of inadequacy. This leads him to try to buy one of Singapore’s rarest architectural masterpieces and turn its ground floor into a museum for his car collection, which includes a car from Ferris Bueller’s Day Off; fortunately, his offer is turned down.” On Kevin Kwan’s China Rich Girlfriend.
Looking for a New England writer’s retreat? Perhaps you could stay in T. S. Eliot‘s childhood summer home.
Just in time for Mother’s Day: whiz-kid chef (and friend of The Millions) Barton Seaver has just published his first book, For Cod and Country: Simple, Delicious, Sustainable Cooking. Bon appetit, Mom!