If only Odysseus had Google Maps during his 10-year journey home. Then perhaps Homer’s Odyssey would have turned out differently. Open Culture has an interactive map created by Gisèle Mounzer that tracks Odysseus’s circuitous route, “bouncing all over the Mediterranean, moving first down to Crete and Tunisia. Next over to Sicily, then off toward Spain, and back to Greece again.”
Yesterday, I wrote that I “[had] yet to read a comprehensive debunking” of B.R. Myers. For those still interested, I’ve been directed to some candidates: Meghan O’Rourke (2001), Daniel Green (2007), the Washington City Paper (2010, concerning neocon ideology and the shadowy RAND corporation), and part I of Steven Moore‘s The Novel: An Alternative History.
Barrelhouse editor Dave Housley wrote a “Commercial Fiction” piece for Hobart’s website about the “trippy magical realism” in Coors Light advertisements. You know what that means, right? People all over the world! Join hands. Start a love train. (Love train.)
“The real world is massive and chaotic beyond the scope of any story, but the novel has always been the storytelling medium that could come closest to capturing it. And the novels that dared to really try – from Hugo to Tolstoy – are often the ones that have endured.” That’s not to say, of course, that bigger is always better, and in an article for The Guardian Damien Walter argues against the current glut of epic, serialized fantasy novels taking their cues from George R.R. Martin‘s A Song of Ice and Fire. As Walter puts it, “There are great fantasy short stories, novellas and single novels that deserve much wider audiences, but are sidelined by the industry’s unhealthy fixation with the serial format. It’s time for the fantasy genre to tell some new – shorter – stories.”