If only Odysseus had Google Maps during his 10-year journey home. Then perhaps Homer’s Odyssey would have turned out differently. Open Culture has an interactive map created by Gisèle Mounzer that tracks Odysseus’s circuitous route, “bouncing all over the Mediterranean, moving first down to Crete and Tunisia. Next over to Sicily, then off toward Spain, and back to Greece again.”
The Odyssey, Mapped
The Iowa Writers’ Workshop Turns 75
The Iowa Writers’ Workshop turns 75 this year. To celebrate, a number of alumni are writing essays on their experiences for various blogs (as well as ours!) as part of The 75th Project. At The Los Angeles Review of Books, Kevin Brockmeier has comprised “A Chronological List of Statements People Made to Me at the Iowa Writers’ Workshop, 1995-1997.” Additionally, Joyelle McSweeney has a piece on n+1‘s website entitled “Iowa Occult: a Mütter Pedagogy; Or How I Learned to Stop Worrying & Vomit Art.”
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Taste Lessons for Adults
How do you eat your broccoli? British food historian Bee Wilson’s newest book, First Bite: How We Learn to Eat takes a hard look at how eating is a learned, cultural behavior–and how it’s never too late to change bad eating habits.
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Essays 101
Like writing personal essays? Want to get one published on The Hairpin? Sign up for the Skillshare class Writing Personal Essays that Get Read (taught by Friendship author and Year in Reading alum Emily Gould) and you might have your essay chosen for a feature on the site. The class is included with Skillshare membership ($10 per month). Better yet: the first 50 readers of The Millions to click here can sign up for free.
Review another day
Reviews are still in the literary news, and in the midst of all the nicey niceness and plentiful hot air, Alix Ohlin got a real smack down in the Times for her new novel, Inside, and her new collection of short stories Signs and Wonders. Which prompted J. Robert Lennon to consider: How does one even write a good “bad” review?
Who Gets to Review?
“The best critics do more than explain why they liked or didn’t like a book; they try to understand books, and show other readers, by example, how to read and think about those books. Specialized expertise can work in service of that goal, but is probably not as important as a willingness to attempt to be a work’s most thoughtful reader.” Elisa Gabbert writes for Electric Literature about who gets to translate and review works and takes Kazuo Ishiguro‘s latest novel, The Buried Giant (which we reviewed here), as a case study.