Our own Sonya Chung went on Jenn Baker’s excellent podcast, Minorities in Publishing, where she discussed, among other things, her recent essay on Green Book and dealing with imposter syndrome as a writer.”After book two, I had more of secure sense that indeed I am a writer,” Chung says. “That’s what I do and what I’m hopefully going to keep doing. The degree of success one has with that is a totally different question.”
“In publishing, we see this play out in a number of ways. Marginalized writers are told by white editors, we need your stories now more than ever, as if we have not always needed them urgently. We are told our experiences are timely, exotic, and trendy. We are told our stories are not authentic if our characters do not suffer, as if the only way to prove that we are human is to bleed.” Natalia Sylvester on the erasure that comes when marginalized writers are constantly being told by the publishing industry and others that your book about your marginalized identity is ‘timely’.
“I first met Dean not long after Tryscha and I hooked up. I had just gotten over a wicked fucking hangover that I won’t bother to talk about, except that it had something to do with a six-foot-five douchebag and a beer bong… Before that I’d often dreamed of going West to see hot LA actress chicks and try In N’ Out burgers, always vaguely planning and never taking off.” – From On the Bro’d, where every sentence of Jack Kerouac’s On the Road is retold for Bros. (via The Rumpus)
“Eventually, the judicial bureaucracy begins to seem almost as destructive as the rapist.” Domenica Ruta writes on Emily Winslow’s Jane Doe January and Joanna Connors’ I Will Find You, two books that probe our culture’s failure to address sexual violence. Pair with a piece on poetry as a response to sexual violence.