Our own Sonya Chung went on Jenn Baker’s excellent podcast, Minorities in Publishing, where she discussed, among other things, her recent essay on Green Book and dealing with imposter syndrome as a writer.”After book two, I had more of secure sense that indeed I am a writer,” Chung says. “That’s what I do and what I’m hopefully going to keep doing. The degree of success one has with that is a totally different question.”
“The short story is an odd form, forever dying out or undergoing a revival, impossible to define, sometimes seeming to be united by being nothing more than a text which happens to occupy around thirty pages or less: novels for people who can’t be arsed reading novels. Yet the best stories in both of these books show what the form is capable of: the world reflected in a puddle, the light gleaming for an instant, fireflies.” C.D. Rose reviews New American Stories, edited by Ben Marcus, for 3:AM Magazine.
Stephen Fry joins “the congregation at the Church of Apple” for the launch of the iPad and shares his thoughts on the company and its newest product.
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, “wonder, disgust: both feelings are true.” Here’s a bonus piece on A.M. Homes‘ darkly comic May We Be Forgiven and on comforting the disturbed — or is it disturbing the comforted?
“Tsundoku: the acquiring of reading materials followed by letting them pile up and subsequently never reading them.” Do you buy books and let them languish? According to Ozy, there’s a Japanese word for that. Might we encourage your tsundoku habit by encouraging you to look at this list of our favorite October releases?
What can we make of the fact that members of the Guantánamo Bay medical staff have adopted Shakespearean names in “an attempt to avoid being held liable for any mistreatment of detainees?” Globe Theatre artistic director Dominic Dromgoole and Guantánamo detainees lawyer Clive Stafford Smith ponder the question.