Our own Sonya Chung went on Jenn Baker’s excellent podcast, Minorities in Publishing, where she discussed, among other things, her recent essay on Green Book and dealing with imposter syndrome as a writer.”After book two, I had more of secure sense that indeed I am a writer,” Chung says. “That’s what I do and what I’m hopefully going to keep doing. The degree of success one has with that is a totally different question.”
Historian Robert A. Caro, author of The Power Broker, has spent 35 years researching and writing about the life and presidency of Lyndon B. Johnson. Last Tuesday, devoted fans were thrilled to learn that the fourth book in his LBJ saga is due out in May. It will be entitled The Passage of Power, and it will focus on the years between 1958 and 1964.
“You have turned to stone. A hairline crack runs along your entire length from crown to toe. Your feet have turned to liquid, and you are melting onto the kitchen floor.” Are you living in an Elena Ferrante novel? Li Sian Goh at The Toast has compiled a helpful list of ways to tell whether or not you might be a character in Ferrante’s final Neapolitan novel, The Story of the Lost Child.
For a boy wizard whose saga ended six years ago, Harry Potter is in the news a lot lately. The Chosen One got a makeover by Jim Kay, and now J.K. Rowling is working on a stage play based on Potter. Don’t expect a stage set of Hogwarts because the play will focus on Harry’s early years at 4 Privet Drive.
You may have heard us mention Electric Literature’s Recommended Reading project recently. It’s a great new venture in which short stories are selected by other prominent writers — and it’s recently surpassed its fundraising goal. Now, they’ve even combined the project with one of their most beloved classics: Single Sentence Animation. Check out this little ditty to accompany Ben Marcus’s “Watching Mysteries With My Mother” and, of course, check out their Kickstarter page.
“When I have an idea that will later, sadly, become a story or a poem, I have a sensation of receiving something. But I do not know if that “something” is given to me by something or someone or if it bursts out on its own.” An excerpt from Borges‘s conversations with the Argentinian poet and essayist Osvaldo Ferrari on writing, memory, and God is now available on The New York Review of Books blog.