Nicole Dennis-Benn discusses her latest book, Patsy, a novel that explores issues of motherhood, the working class, sexual identity, and immigration, with Concepción de León. The complicated protagonist of the novel makes a series of difficult decisions throughout the book, forcing Dennis-Benn to take on perspectives not always familiar to her. “Sometimes I take breaks, maybe a week or two to really assess, ‘What am I really judging?’ For example, with the motherhood part, I’m judging this woman who absolutely cannot embrace her role as a mother. Realizing I had to really unpack my own upbringing, my own socialization as a Jamaican woman—or a woman, in general—and then move forward.”
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
Denis Dutton, founding editor of the esteemed web digest Arts & Letters Daily, passed away today at age 66 after a battle with prostate cancer. We echo the sentiments of Three Quarks Daily that Dutton’s site “set the gold standard that we have aspired to match in our own curating of slightly different intellectual content on the web.”
Here’s a simple poll idea we’re amazed we hadn’t thought of before: asking famous writers to pick their favorite words. In The Guardian, Hilary Mantel, Tessa Hadley and others (including Year in Reading alum Eimear McBride) choose their picks for an exceedingly odd vocabulary list.