Nicole Dennis-Benn discusses her latest book, Patsy, a novel that explores issues of motherhood, the working class, sexual identity, and immigration, with Concepción de León. The complicated protagonist of the novel makes a series of difficult decisions throughout the book, forcing Dennis-Benn to take on perspectives not always familiar to her. “Sometimes I take breaks, maybe a week or two to really assess, ‘What am I really judging?’ For example, with the motherhood part, I’m judging this woman who absolutely cannot embrace her role as a mother. Realizing I had to really unpack my own upbringing, my own socialization as a Jamaican woman—or a woman, in general—and then move forward.”
“Thinking about his films while watching an American film leads to a sobering realization: all the things that Abbas Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.” A. S. Hamrah discusses Abbas Kiarostami’s legacy at n+1.
“Soon, the nail-biting hours of vote-counting start. For a Turkish citizen who does not support the AKP, casting your vote is the easy part of the process. The trickier task comes after that vote is stamped (to ensure it is real and valid): trying to make sure it is actually counted.” On a new book about Erdoğan’s Turkey.
“This is a story about a woman who was erased from her job as the editor of the most famous literary magazine in America.” For Longreads, A.N. Devers writes about Brigid Hughes, the second editor of The Paris Review, who has been all but scrubbed from the magazine’s history. See also: Dever’s 2011 Year in Reading entry.