Casual readers and self-proclaimed Wild Things are probably not aware of Maurice Sendak’s deep love for the opera. Over at Artsy, Wallace Ludel explores the vivid, imaginative sets Sendak designed for about a dozen operas and ballets, as well as the author’s fascination with the stage. “In 1981, Sendak published Outside Over There, one of the only books he would publish during this period in which he was so dedicated to set design. It’s a dark story about a little girl named Ida whose infant sister is stolen by ladder-wielding goblins. Ida eventually distracts the goblins by playing her horn and saves her sister.”
In its treatment of the poor, Britain may be “going back to the Middle Ages,” says Booker repeat winner Hilary Mantel. Indeed, she explains, “In some respects … Cromwell lived in a more enlightened time.” And she’s not the only high profile UK author to come to the side of government welfare these days. In a two–part interview for The Daily Show, J.K. Rowling notes that she couldn’t have written her first books without government “benefits.”
It almost sounds too terrifying to be true. Your book is reviewed by Christopher Hitchens in the New York Times Book Review and he opens with: “This is an extraordinarily irritating book” (and it gets worse from there, and deservedly so). It happened to David Mamet and his new book The Secret Knowledge.
Could it be for the best that Lisbeth Salander outlived her creator? Do writers own the rights to their own superstar characters, or do the rights belong to the readers? These questions and more are explored in a fascinating essay from The Atlantic. Here’s a Millions piece in which Pippi Longstocking is touted as Salander’s literary forebear.
“Delight in book collecting, and in showing off one’s book collection, is common, if not universal, among readers and would-be-readers. The biggest reason we spend money on books is because we want to read them (eventually), but that isn’t the only reason: we also like to look at them, and to look at other people looking at them.” Over at The Point, Jake Bittle considers why we collect books as opposed to simply reading them. He also points out, correctly, that books are very, very unpleasant to move, something our own Matt Seidel can confirm.