Casual readers and self-proclaimed Wild Things are probably not aware of Maurice Sendak’s deep love for the opera. Over at Artsy, Wallace Ludel explores the vivid, imaginative sets Sendak designed for about a dozen operas and ballets, as well as the author’s fascination with the stage. “In 1981, Sendak published Outside Over There, one of the only books he would publish during this period in which he was so dedicated to set design. It’s a dark story about a little girl named Ida whose infant sister is stolen by ladder-wielding goblins. Ida eventually distracts the goblins by playing her horn and saves her sister.”
Here is Amitav Ghosh in conversation with Michael Berkeley for the BBC Radio3 broadcast about his new novel, Flood of Fire. In the interview, Ghosh talks about his childhood by the water and the influence of the sea on his work. He also curates a playlist of influential music that ranges from Bengali boat songs to Phillip Glass to ‘Hindoo airs.’
Here’s the story of one entrepreneur so intent on disrupting the antiquated status quo within his industry that he quit his organization and set out to found his own start-up. You’ve heard this story before. It’s John Milton’s Paradise Lost, and supposedly it can help your career in ways you haven’t even realized.
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”
“What do these two books have in common?…Open each cover and you will only find similarities: They are the same book.” For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.