Casual readers and self-proclaimed Wild Things are probably not aware of Maurice Sendak’s deep love for the opera. Over at Artsy, Wallace Ludel explores the vivid, imaginative sets Sendak designed for about a dozen operas and ballets, as well as the author’s fascination with the stage. “In 1981, Sendak published Outside Over There, one of the only books he would publish during this period in which he was so dedicated to set design. It’s a dark story about a little girl named Ida whose infant sister is stolen by ladder-wielding goblins. Ida eventually distracts the goblins by playing her horn and saves her sister.”
Michael Chabon is really into prog rock. And I just picked up a couple of great Emerson Lake & Palmer LPs. So now I’ve got a soundtrack for reading Telegraph Avenue, which I’m especially stoked on after our own Michael Bourne’s review of the novel, devoted as I am to the “brilliant little brushstrokes of language.”
“It all started with A Is For Alibi, then came B Is For Burglar, C Is For Corpse and on and on through the alphabet.” NPR interviews Sue Grafton about her Kinsey Millhone series, currently spanning 25 letters – the newest and penultimate entry, Y for Yesterday, comes out today – and 35 years. Pair with Ujala Sehgal‘s list of five crime novels where women are the true detectives.
The lineup for the 2013 PEN World Voices Festival of International Literature has been announced. The festival will commence on April 29th with a reading “about the notion of bravery” from three writers – including Millions contributor A. Igoni Barrett.
Out this week: Alice & Oliver by Charles Bock; Our Young Man by Edmund White; Now and Again by Charlotte Rogan; Thomas Jefferson Dreams of Sally Hemings by Stephen O’Connor; and The Bricks That Built the Houses by Kate Tempest. For more on these and other new titles, go read our Great 2016 Book Preview.
John Jeremiah Sullivan has a new essay about animal consciousness – and specifically our understanding thereof – in Lapham’s Quarterly. This effort is more serious and decidedly less terrifying than Sullivan’s last essay about animal agency, “Violence of the Lambs.”
Who killed the literary critic?: “In the age of blogging, great critics appear to be on life support. Salon’s book reviewers discuss snobbery, how to make criticism fun and the need for cultural gatekeepers.” The ongoing, seemingly never ending discussion of the death of literature and criticism continues, though Salon’s interest in “how to make criticism fun” is a promising sign.Online used book marketplace AbeBooks looks at the yearbook collecting subculture. The most expensive yearbook to every be sold on the site? The Ole Miss Yearbook 1921 containing “William Faulkner’s poem, ‘Nocturne,’ in facsimile of the author’s stylized printing over a two-page spread along with several Faulkner drawings.”Buzz presents the Nixon Rock on his Madonna of the Toast blog.Carolyn has been on an enviable literary-themed roadtrip. Luckily we can read along at home.